Analysis of the Traditional Ethnic Elements Application in Animation Design.doc

1、1Analysis of the Traditional Ethnic Elements Application in Animation DesignAbstract. The majority of people， especially children have loved the animation in our country. In recent years， many animal designs extensively on traditional ethnic elements have become a trend， and have been successful. Wh

2、ether traditional ethnic elements in contemporary animation play what role？ Traditional ethnic elements and how to apply animation design？ The author holds an entry point to traditional ethnic elements in animation design applications， further analysis of the role of traditional ethnic elements in a

3、nimation design. Key words： Animation design， Traditional ethnic elements， Application 1.Introduction Traditional Chinese painting thinking elements， design elements， and the performance elements animation design is very widely to Chinese painting teaching integrated into animation design profession

4、al foundation courses teaching them to go. The Chinese painting thinking basic elements include modeling characteristics as well as the performance elements 2applied to the animation design， to Chinese animation design on the content， form， style and performance practices reflect the aesthetic idea

5、of traditional Chinese painting and aesthetic needs， to create the classic animated image of a Chinese cultural characteristics and connotation can that has important practical significance. 2. The Importance of the Connotation of Animation Design and Cultural Background Animation design graphics pe

6、rformance and reaction ideological theme， its ideological theme must have a certain cultural background creators to behave in accordance with their own cultural accomplishment ideological theme. So， it is a cultural derivative. The root causes of the design depend on the culture. Successful animatio

7、n design performance is not only the image itself is wonderfully brilliant， but more important is the cultural connotation or humanistic spirit in the target audience spiritual penetration and resonance. Animation design must demonstrate a certain cultural connotations. Otherwise， the design of the

8、work is empty. The performance animation design is a combination of cultural， ideological， and personal accomplishment， and it is only with the animation of this particular form of painting to convey the 3aesthetic spirit， cultural themes， aesthetic and spiritual， personal and emotional information

9、is communicated to the target audience through the image logic， it enjoys the spirit of the United States. Thus， culture is a source of survival animation design！ Creative thinking and personal cultural accomplishment creators in animation design culture repair is not enough， the design works will a

10、lso lack the design content， personal cultural accomplishment comes from a long-term cultural heritage. No idea in the animation creation process is any creative thinking， not thinking of creative place to start， highly skilled in vain. The animation design cultural background reflected two levels，

11、one creative theme and cultural background； the other creators ethnic cultural accomplishment. The overall performance of both works reflects their cultural connotations， reflecting the cultural background. Animation design， works only with their cultural characteristics in the world to remember， to

12、 emerge in the animation industry in diversified. Chinese animation is now in a neither fish nor fowl situation， while the penetration of the Japanese and Korean animation culture； the other side of the European and American culture infection created on Chinese animation talents thinking and aesthet

13、ic imperceptibly. 4The traditional national culture is the root of animation art features， animation design should draw our traditional culture， and the formation of cultural products through innovation， by means of the product to carry forward and promote culture. Animations products are an effecti

14、ve carrier of culture develop and pass on， and this cultural idea must be Chinese characteristics， it should establish and flaunt their cultural style， this is the essence， the source of animation culture and life！ Animation design as a unique form of cultural industries should make use of the funct

15、ional heritage culture； carry forward the culture， promotion of culture. 3.The Problem of Chinese Animation Design and Improvement 3.1 The Role Design should be Given a Distinct Personality The protagonist in the Chinese animation has always been the Monkey King， Nezha， gourd doll characters， they m

16、ust be brave， justice cannot be afraid of mice as more attractive A dream， not like “Kung Fu Panda“ Panda good eat， awkward problems， they are a man of God， are model operas where the hero， thus losing the personality， it is not like Dora A Dream， Pikachu， as people feel that it is a living thing， i

17、ntimacy. The Chinese were more restrained， subtle， and usually like to give some implicit inner meanings of characters 5and scenes， such as design icons often appear to the Great Wall and other symbols are used repeatedly. In fact， the average person is concerned； the first to see the appearance of

18、the image， its inner hidden meaning， and how many people can really comprehend it？ 3.2 The Original Vitality of Animation Products The original vitality of the animation industry， animation companies from the original start， the market well， only genuine original products in order to form a brand. G

19、ood ideas and good institutions or mechanisms， both are indispensable. In addition， many Anime never diverged only to the children to see this positioning. Roles and the plot are relatively simple. We should reflect on why domestic animation lack of imagination， lack of creativity， lack of easy humo

20、r and inspiring force. 3.3 The National Cultural Sense of Emptiness Caused by the Weakening of Cultural Products “With the release of “Kung Fu Panda“ in the country， this doubt is gradually increased. How the animation in the use of traditional elements is a key. Do Banpo， paper cutting， facial make

21、up， clay sculpture， opera and other Chinese elements into the design on it？ However， it seems that is not 6so simple. Where traditional culture and resonate with young people？ Works not only embodies the traditional Chinese culture， but also accepted by the young people， to be accepted by the world，

22、 it is quite easy to do. Many people today are quite familiar with the traditional culture of the Chinese. “Kung Fu Panda director Mark Osborne （phonetic） with 30 years of Chinese culture， the use of Chinese cultural elements in his film is quite a place， people admire our cultural producers of trad

23、itional culture seriously study it？ The lack of awareness of their countrys culture， how to produce excellent and diverse cultural products to impress foreigners？ The depth of Chinese culture， China has a rich cultural heritage， can provide animation creative. Identify the meeting point of tradition

24、al culture and animation， and the meeting point of the world， to explore the characteristics of the times， key national elements Anime， animal into a new topic， a new way of thinking， to become the source of animation and creative. 3.4 Attitude is Everything， and Details Determine Success or Failure

25、 The production of the film “Kung Fu Panda“ took up to 5 years， Hollywood Filmmakers Anime rigor and scientific methods. 7They are a real field trip instead of the closed-door， filming and production of the movie seems to “crash“ is much more than them， same director. It is understood that Chinas bl

26、ockbuster production generally up to two years， but also the spirit preached to spread the idea of traditional Chinese culture， and brought the ready-made famous or had the influential screenplay remake of the original theme not copy， without the need for ideological innovation and cultural aspects

27、of the preparatory work， just let the event from another dynasty occurred somewhere else， and back to a group of actors， a domestic “blockbuster“ was born. Compared with Hollywood produced blockbuster takes effort and energy， these “blockbuster“ seems sloppy. 4. Traditional Ethnic Elements in Animat

28、ion Design 4.1 National Elements in the Cartoon Character Design Animation character design success determines the success of a cartoon. The successful animation role modeling has a strong artistic and commercial. Design animation modeling， animation creators will consider the full range of animatio

29、n background story times， regional and national identity. The following cartoon “Monkey King“， for example， this work on character design， drawing figures of Beijing Opera Art 8decorative use this exaggerated costume and facial makeup styling， cartoon cast a layer with strong Chinese characteristics

30、， and the veil of national personality， brought immeasurable impact for the ultimate success of the cartoon. Another example is the animation blockbuster “Kung Fu Panda“， the film is also successful use of ethnic elements in the design of the animated characters finally achieved a great success. In

31、short， the relationship with a cartoon of a cartoon character designs ultimate success. 4.2 Traditional Ink Painting Ink Performance Language Chinese Animation The use of the ever-changing Chinese traditional ink painting animation designs， is an initiative of the Chinese animation can be said， prec

32、isely because of the performance language of traditional Chinese ink painting based on the basis of local culture， to learn from the Chinese painting landscapes， figures， flowers absorbed， such as modeling， painting ink performance language， which makes the entire screen filled with strong Chinese p

33、ainting aesthetic taste and mood， in order to convey a strong connotation， impressive. Moreover， the ink animation compared to the traditional single-Ping Tu animation richer line changes， line length， 9thickness， right and wrong， chapped， rub， shades， much to plump in the form of performance. To in

34、k-generation color， ink， ink is also extremely diverse， shading， throwing， breaking product to create a change in lightness and purity of the change in the ink， making the screen space and the level of ink animation is more far-reaching. Therefore， the Chinese animation character modeling and backgr

35、ound in ink art form， not only highlights the ink paintings of this traditional Chinese art features， expanded animation art nouveau. For example， this fairy tale theme “Moody ink animation， can be said the ink performance language to an extreme， the movie the buffalo image is based on the style of

36、the painter Li Keran painted in the film， he specifically drew fourteen buffalo and shepherds ink paintings. Moreover， the background of the “reed pipe“ design also invited the famous the landscape painters Franciscan congregation， showing a scene of mountains and streams common in Chinese landscape

37、 painting， showing the unique charm of the beautiful scenery of southern China and ink landscape. 4.3 Ethnic Element in the Creation of Animation Scene The animation scene animation story takes place in the background， also has a very important role in the success of 10the union. Animation scene des

38、ign in the film and television animation has an important position that cannot be ignored. When designing animation scenes， animation creators to be as comprehensive as possible to consider the combination of the cultural background of the story and designing the characters， the animation scenes des

39、igned to meet the style of the whole film， so that “form follows function， scenes follow the movie This is also the scene design basic rules. First of all， the animated film “Lotus Lantern“， for example， the overall style of the film is the scene design， both absorb the fine tradition of ancient mur

40、als， architecture and folk art， but also give full play to the imagination creativity， makes the scene not only has a very The strong decorative feature， and the character modeling complements each other， also appropriately to create a sense of fantasy full of mythological world. Another example is

41、“Kung Fu Panda“ film aptly applied freehand Chinese landscape painting with oriental charm to create an amazing animation scene， fully reflects the unique charm of Chinese traditional elements. 4.4 Animation Design in the Form of Chinese Painting Composition of traditional Chinese painting， also known as the art of composition， layout， pay attention to the