史纲认为在中国山水画史的”古近代、现代和当代”三段中,“现代”部分应是整个山水画史的“黄金期”,它既是链接古近代与当代的“桥梁”,又是通向未来的“核心”;同时,本书又提出“耀眼明星”、“八个高峰”、“高峰中的高峰”等新概念,这是史纲最有创新之处,因为它“首次”将中国山水画史上的“大家”进行了排序,以让当代国人清楚地看到中国山水画史上的其他高峰在哪里,使其成为国人树立中国文化艺术的自信心与民族自豪感的有力支撑。It concludes that of the three historical stages, ancient, modern and contemporary, the modern stage is the golden period, in that it bridges the two other stages and lays the foundation for the future. Furthermore, this book puts forwards such new concepts as shining stars, eight pea