1、2013 艺术硕士真题参考答案一、单项选择题(每小题 1 分，共 44 分)1. 2013 年是英国作曲家布里顿诞辰 100 周年，他的著名管弦乐作品( )在全世界影响广泛。A.青少年管弦乐队指南 B.仲夏夜之梦 C.第五交响乐 D.春之祭2.康塔塔是 17 世纪前后出现的音乐体裁，巴洛克时期最伟大的康塔塔作曲家是( )，他共写了 200 多首康塔塔。A.亨德尔 B. J.C 巴赫 C.海顿 D.莫扎特3.民族管弦乐曲春江花月夜 ，原为琵琶曲( )，1925 年被改编为民乐合奏曲。A.海青拿天鹅 B.渔舟唱晚C. 夕阳萧鼓 D.二泉映月4.歌曲南泥湾创作于 1943 年，通过著名歌唱家( )的
2、演唱，使这首歌曲传遍全中国。A.郭兰英 B.王玉珍 C.才旦卓玛 D.宋祖英5.交响诗牧神午后创作于 1894 年，他是印象主义作曲家( )的代表作。A.莫扎特 B.拉威尔 C.德彪西 D.李斯特6.舞蹈是( ).A.空间的艺术 B.综合时间和空间的艺术 C.瞬间的艺术 D.静态的艺术7.“来如雷霆收震怒，罢如江海凝青光” 是诗人( )对剑器舞的描述与形容。A.李群玉 B.白居易 C.杜甫 D.王维8.芭蕾舞作品天鹅之死是由( )创作的。A.米哈伊福金 B.列夫 伊凡诺夫 C.马里乌斯 彼季帕 D.巴兰钦9. “伊莎多拉邓肯” 通过研究 ( )创造了现代舞的表演风格。A.奥托艺术 B.巴洛克艺
3、术 C.古希腊艺术 D.拜占廷艺术10.舞蹈编导是舞蹈作品的创作者，通常兼有( )的双重职责。A.编舞和示范 B.编舞和导演 C.编舞和设计 D.设计结构和撰写文本11.中国民间舞秧歌中的“ 大场”通常用在舞蹈的( )。A.开头和结尾 B.中间穿插 C.舞段衔接 D.舞段转换12.汉堡剧评的作者莱辛是( )人。A.法国 B.俄国 C.英国 D.德国13.江泰是曹禺先生剧本( )中的人物。A.原野 B.北京人 C. 雷雨 D.日出14.亚里士多德的戏剧理论著作是( )。A.诗艺 B.诗学 C.诗的艺术 D.演员的矛盾15.( )不是俄国剧作家契诃夫剧作 三姐妹中的人物。A.妮娜 B.玛莎 C.叶
4、莲娜 D.奥尔加16.玩偶之家是( )的作品。A.尤金奥尼尔 B.席勒 C.易卜生 D.王尔德17.( )是老舍创作的剧本。A.龙须沟 B.骆驼祥子 C.我这一辈子 D.四世同堂18.下列人物中的( )一般由老生行扮演。A.包拯 B.伍子胥 C.许褚 D.张继保19.梨园是( )朝宫廷设置的专门训练乐工的机构。A.清 B.元 C.宋 D.唐20.南戏脚色的完整设置应为( )。A.生、旦、净、末、丑、外、贴 B.生、旦、净、末、丑、外 C.生、旦、净、末、丑 D.生、旦、净、丑、21.1912 年成立于西安的秦腔改良团体是( )。A.易俗社 B.昆剧传习所 C.富连成社 D.伶工学社22.下列剧
5、种中，未被列入世界非物质文化遗产名录的是( )。A.京剧 B.昆曲 C.粤剧 D.秦腔23.现代的 DV 是指( )。A.胶片影像创作 B.数字影像创作 C.立体影像创作 D.电视影像创作24.一般公认的香港电影迄今已经有( )。A. 70 年历史 B.80 年历史 C.90 年历史 D.100 年历史25.电影中国合伙人于( )上映。A.2000 年 B.2010 年 C.2012 年 D.2013 年26.故事影片一九四二的导演是( )。A.宁浩 B.张艺谋 C.冯小刚 D.高群书27.下列影片中由“ 第五代导演 ”创作的是( )。A.神女 B.城南旧事C. 一个和八个 D.致我们终将逝去
6、的青春28.( )属于电视的“真人秀”节目。A.大国崛起 B.中国好声音C. 话说长江 D.档案29.影视表现幻觉和梦境常使用的是( )。A.平行蒙太奇 B.交叉蒙太奇 C.心理蒙太奇 D.杂耍蒙太奇30.电视纪录片的宗旨在于( )。A.新闻报道 B.现场互动 C.真实呈现 D.情景再现31.影视作品故宫属于( )。A. 电视报道剧 B.电视剧 C.新闻纪录片 D.文献专题片32.“虚拟演播室” 主要用于( )。A.戏曲的虚拟表演 B.纪录片的虚拟再现 C.故事片的写意特技 D.主持类节目的虚拟场景33.梨园春的基本定位是( )栏日。A.专题 B.娱乐 C.戏曲 D. 竞技34.断臂维纳斯是(
7、 )的著名雕塑。A.古希腊 B.古罗马 C.古埃及 D. 古印度35.青卞隐居图是( )的作品。A.黄公望 B.王蒙 C.倪云林 D.黄宾虹36.中国画史上的“ 南北宗 ”说通常认为是由( )提出的。A.王安石 B.童书业 C.董其昌 D. 俞剑华37.文同以画( )著称。A.梅 B.兰 C.竹 D. 菊38.倒牛奶的女仆是( )画家维美尔的作品。A.荷兰 B.比利时 C.德国 D.意犬利39.“形式服从功能” 是 1907 年由( )设计师路易斯 沙利文提出的。A.芬兰 B.英国 C.意大利 D.美国40.( )是英国 19 世纪工艺美术运动的主要代表人物。A.马克斯比尔 B.威廉 莫里斯
8、C.托马斯 马尔多纳多 D.萨尔姆宾41. 景泰蓝多用铜胎，以( )最为出色，故称为景泰蓝。A.蓝釉 B. 黄釉 C.白釉 D.青釉42.青铜工艺与技术是( )后的又一大发明。A. 造纸术 B.制铁术 C.制陶术 D.炼金术43.艺术设计是一种特殊的文化形态，具有( )的双重性。A.人工与机械 B.个人与群体 C. 物质与文化 D.设计与调整44.视觉传达设计涵盖了从( )的多维空间。A.点线面到体 B.二维到四维 C.视觉到想象 D.一维到多维二、多项选择题(每小题 2 分，共 16 分。以下各题 5 个选项中，至少有 2个选项正确)45.以下歌剧作品中，属于意大利作曲家威尔弟的作品有( )
9、。A.阿依达 B.茶花女 C.费加罗婚礼 D.弄臣 E.奥赛罗46.中国民间舞“ 花鼓 ”又称( )。A.打花鼓 B. 摇花鼓 C. 地花鼓 D.花鼓子 E.转花鼓47.法国古典主义戏剧代表人物有( )。A.高乃依 B.拉辛 C.歌德 D.莱辛 E.莫里哀48.京剧“ 麒派”创始人周信芳的代表剧目有( )。A.徐策跑城 B.乌龙院 C.四进士 D.追韩信 E. 三岔口49.陈凯歌导演的影片有( )。A.搜索 B.集结号 C.霸王别姬 D.梅兰芳 E.千里走单骑50.( )是电视“脱口秀”栏目。A.实话实说 B. 星光大道 C.鲁豫有约 D.快乐大本营 E.杨澜访谈录51.到 20 世纪 30
10、年代末，我国已创办有( )等艺术学校。A.南京国立艺专 B.上海美专 C.苏州美专 D.北平国立艺专 E.杭州国立艺专52.明式家具多采用( )的优质木材。A.质地坚硬 B.易于加工 C.色泽沉着 D.纹理致密 E.花纹华美三、英语阅读理解题(每小题 2 分，共 30 分)Directions: There are three passages in this part. Each passage is followed by some questions or unfinished statements. For each of them there are four choices mar
11、ked, B, C and D. Choose the best answer to each question.Questions 53 to 57 are based on the following passage:The Internet can make the news more democratic, giving the public a chance to ask questions and seek out facts behind stories and candidates, according to the head of the largest US on-line
12、 service.But the greatest potential for public participation is still in the future, Steven Case, chairman of America On-line, told a recent meeting on Journalism and the Internet sponsored by The Freedom Forum, though some other speakers say the new technology of computers is changing the face of j
13、ournalism, giving reporters access to more information and their readers a chance to ask questions and turn to different sources.You dont have to buy a newspaper and be confined to the four comers of that paper anymore. Sam Meddis, on-line technology editor at USA Today, observed about the variety o
14、f information available to computer users.But the speakers noted the easy access to the internet also means anyone can post information for others to see.Anyone can say anything they want, whether its right or wrong. said Case. Readers have to determine for themselves who to trust. In a world of alm
15、ost infinite voices, respected journalists and respected brand names will probably become more important, not less, Case said.The internet today is about where radio was 80 years ago, or television 50 years ago or cable 25 years ago, he said. But it is growing rapidly because it provides people fast
16、 access to news and a chance to comment on it.53. The main topic of this passage isA. the development of journalismB. the effect of the internet has on journalismC. the rapid development of the internetD. the advantages of the internet54. It can be inferred from this passage that may NOT be regarded
17、 as the advantages of the internet.A. the news can be made more democraticB. anything can be posted on the internet for others to seeC. the public can turn to different sourcesD. the public can get a chance to ask questions55. The correct order for the appearance of the four technologies is _ .A. in
18、ternet-cable-television-radio B. radio-cable-television-internetC. radio-television-cable-internet D. television-radio-cable-internet56. Which of the following statements is true?A. Only respected journalists can post information on the internet for others to see.B. Respected journalists will probab
19、ly become more important than before.C. When people read newspapers, they have to stay in the comers of the street.D. The greatest potential of public participation of the internet is in the near future.57. On the whole, the attitude Steven Case holds for the internets future development isA. pessim
20、istic B. unknownC. doubtful D. optimisticQuestions 58 to 62 are based on the following passage:In the past century Irish painting has changes from a British-influenced lyrical tradition to an art that evokes the ruggedness (朴实) and roots of an Irish Celtic past. At the turn of the twentieth century
21、Irish painters, including notables Walter Frederick Osborne and Sir William Orpen, looked elsewhere for influence. Osbornes exposure to plain air painting deeply impacted his stylistic development; and Orpen allied himself with a group of English artists, while at the same time participated in the F
22、rench avant-garde experiment, both as painter and teacher.However, nationalist energies were beginning to coalesce (接合 ), reviving interest in Irish culture-including Irish visual arts. Beatrice Elverys (1907), a landmark achievement, merged the devotional simplicity of fifteenth-century Italian pai
23、nting with the iconography (图像学 ) of Irelands Celtic past, linking the history of Irish Catholicism with the still-nascent (初生的 )Irish republic. And, although also captivated by the French plain air school. Sir John Lavery invoked the mythology of his native land for a 1928 commission to paint the c
24、entral figure for the bank note of the new Irish Free State. Lavery chose as this figure, with her arm on a Celtic harp (竖琴), the national symbol of independent Ireland.In Irish painting from about 1910, memories of Edwardian romanticism coexisted with a new sense of realism, exemplified by the pain
25、tings of Paul Henry and Se Keating, a student of Orpens. Realism also crept into the work of Edwardians Lavery and Orpen, both of whom made paintings depicting World War I, Lavery with a distanced Victorian nobility, Orpen closer to the front, revealing a more sinister and realistic vision. Meanwhil
26、e, counterpoint ( 对照 ) to the Edwardians and realists came Jack B. Yeats， whose travels throughout the rugged and more authentically Irish West led him to depict subjects ranging from street scenes in Dublin to boxing matches and funerals. Fusing close observations of Irish life and icons with an Ir
27、ish identity in a new way, Yeats changed the face of Irish painting and became the most important Irish artist of his century.58. Which of the following art most probably exerted the greatest influence on Irishpainting in the 19th century?A. British lyrical tradition B. French avant-garde experiment
28、C. nationalist energies D. Italian painting59. It is implied was least influenced by the contemporary art of France.A. Sir John Lavery B. Sir William OrpenC. Beatrice Elvery D. Se Keating60. Which of the following best explains the authors use of the word counterpoint in referring to Yeats?A. Yeats
29、paintings differed significantly in subject matter from those of his contemporaries in Ireland.B. Yeats reacted to the realism of his contemporary artists by invoking nineteenth-century naturalism in his own painting style.C. Yeats avoided religious and mythological themes in favor of mundane portra
30、yals of Irish life.D. Yeats built upon the realism painting tradition, elevating it to unprecedented artistic heights.61. The author points out the coexistence of romanticism and realism most probably in order to show that .A. Irish painters of the early twentieth century tended to romanticize the h
31、arshreality of warB. for a time painters from each school influenced painters from the other schoolC. Yeats was influenced by both the romantic and realist schools of Irish paintingD. the transition in Irish painting from one predominant style to the other was not an abrupt one62. The most likely to
32、pic of the paragraph followed isA. The Role of Celtic Mythology in Irish PaintingB. Who Deserves Credit for the Pre-eminence of Yeats among Irish Painters?C. Realism vs Romanticism: Irelands Struggle for National IdentityD. Irish Paintings: Reflections of an Emerging Independent StateQuestions 63 t0
33、 67 are based on the following passage:The Last Supper is a late 15th-century mural painting by Leonardo da Vinci in the refectory of the Convent of Santa Maria della Grazie, Milan. The work is presumed to have been commenced around 1495 and was commissioned as part of a scheme of renovations to the
34、 church and its convent buildings by Leonardos patron Ludovico Sforza, Duke of Milan. The painting represents the scene of The Last Supper of Jesus with his disciples, as it is told in the Gospel of John. Leonardo has depicted the consternation that occurred among the Twelve Disciples when Jesus ann
35、ounced that one of them would betray him. The Last Supper measures 460cm x880cm and covers an end wall of the dining hall at the monastery of Santa Maria delle Grazie in Milan, Italy. The theme was a traditional one for refectories, although the room was not a refectory at the time that Leonardo pai
36、nted it. The main church building had only recently been completed (in 1498), but was remodeled by Bramante, hired by Ludovico Sforza to build a Sforza family mausoleum. The painting was commissioned by Sforza to be the centerpiece of the mausoleum. The lunettes above the main painting, formed by th
37、e triple arched ceiling of the refectory, are painted with Sforza coats-of-arms. The opposite wall of the refectory is covered by the Crucifixionfresco by Giovanni Donato da Montorfano, to which Leonardo added figures of the Sforza family in tempera.Leonardo began work on The Last Supper in 1495 and
38、 completed it in 1498-he did not work on the painting continuously. The beginning date is not certain; as the archives of the convent for the period have been destroyed and a document dated 1497 indicates that the painting was nearly completed at that date. One story goes that a prior from the monas
39、tery complained to Leonardo about the delay, enraging him. He wrote to the head of the monastery, explaining he had been struggling to find the perfect villainous face for Judas, and that if he could not find a face corresponding with what he had in mind, he would use the features of the prior who c
40、omplained.In common with other depictions of The Last Supper from this period. Leonardo seats the diners on one side of the table, so that none of them have their backs to the viewer. Most previous depictions excluded Judas by placing him alone on the opposite side of the table from the other eleven
41、 disciples and Jesus or placing halos around all the disciples except Judas. Leonardo instead has Judas lean back into shadow. Jesus is predicting that his betrayer will take the bread at the same time he does to Saints Thomas and James to his left, who react in horror as Jesus points with his left
42、hand to a piece of bread before them. Distracted by the conversation between John and Peter, Judas reaches for a different piece of bread not noticing Jesus too stretching out with his right hand towards it. The angles and lighting draw attention to Jesus, whose head is located at the vanishing poin
43、t for all perspective lines. The painting contains several references to the number 3, which represents the Christian belief in the Holy Trinity. The Apostles are seated in groupings of three; there are three windows behind Jesus; and the shape of Jesus figure resembles a triangle. There may have be
44、en other references that have since been lost as the painting deteriorated.63. As it is told in the Gospel of John, the painting represents_A. the scene of the last supper of Jesus with his twelve disciplesB. Leonardo met with the twelve disciples when Jesus announced that one of themwould betray hi
45、mC. an end wall of the dining hall at the monastery of Santa Maria delle Grazie in Milan, ItalyD. the centerpiece of the mausoleum for the Sforza family64. Leonardo began work on The Last Supper in 1495 and completed it in .A. 1496 B. 1497C. 1498 D. 149965. In common with other depictions of The Las
46、t Supper from this period, Leonardo seats the diners on one side of the table, so that_A. his betrayer will take the bread at the same timeB. the disciples can talk to each other more easilyC. none of them have their backs to the viewerD. they can see each other more clearly66. The painting contains several references to the number 3,which represents .A. the three windows behind JesusB. the shape of Jesus figure of a triangleC. the lucky number for Christians
