1、.Unit1Howard Gardner, a professor of education at Harvard University, reflects on a visit to China and gives his thoughts on different approaches to learning in China and the West. 哈佛大学教育学教授霍华德加德纳回忆其中国之行，阐述他对中西方不同的学习方式的看法。 Learning, Chinese-StyleHoward Gardner 1 For a month in the spring of 1987, my
2、 wife Ellen and I lived in the bustling eastern Chinese city of Nanjing with our 18-month-old son Benjamin while studying arts education in Chinese kindergartens and elementary schools. But one of the most telling lessons Ellen and I got in the difference between Chinese and American ideas of educat
3、ion came not in the classroom but in the lobby of the Jinling Hotel where we stayed in Nanjing. 中国式的学习风格霍华德加德纳1987 年春，我和妻子埃伦带着我们 18 个月的儿子本杰明在繁忙的中国东部城市南京住了一个月，同时考察中国幼儿园和小学的艺术教育情况。然而，我和埃伦获得的有关中美教育观念差异的最难忘的体验并非来自课堂，而是来自我们在南京期间寓居的金陵饭店的大堂。2 The key to our room was attached to a large plastic block with t
4、he room number on it. When leaving the hotel, a guest was encouraged to turn in the key, either by handing it to an attendant or by dropping it through a slot into a box. Because the key slot was narrow, the key had to be positioned carefully to fit into it. 我们的房门钥匙系在一块标有房间号的大塑料板上。酒店鼓励客人外出时留下钥匙，可以交给
5、服务员，也可以从一个槽口塞入钥匙箱。由于口子狭小，你得留神将钥匙放准位置才塞得进去。3 Benjamin loved to carry the key around, shaking it vigorously. He also liked to try to place it into the slot. Because of his tender age and incomplete understanding of the need to position the key just so, he would usually fail. Benjamin was not bothered
6、in the least. He probably got as much pleasure out of the sounds the key made as he did those few times when the key actually found its way into the slot. 本杰明爱拿着钥匙走来走去，边走边用力摇晃着。他还喜欢试着把钥匙往槽口里塞。由于他还年幼，不太明白得把钥匙放准位置才成，因此总塞不进去。本杰明一点也不在意。他从钥匙声响中得到的乐趣大概跟他偶尔把钥匙成功地塞进槽口而获得的乐趣一样多。4 Now both Ellen and I were pe
7、rfectly happy to allow Benjamin to bang the key near the key slot. His exploratory behavior seemed harmless enough. But I soon observed an interesting phenomenon. Any Chinese staff member nearby would come over to watch Benjamin and, noting his lack of initial success, attempt to assist. He or she w
8、ould hold onto Benjamins hand and, gently but firmly, guide it directly toward the slot, reposition it as necessary, and help him to insert .it. The “teacher“ would then smile somewhat expectantly at Ellen or me, as if awaiting a thank you and on occasion would frown slightly, as if considering us t
9、o be neglecting our parental duties. 我和埃伦都满不在乎，任由本杰明拿着钥匙在钥匙的槽口鼓捣。他的探索行为似乎并无任何害处。但我很快就观察到一个有趣的现象。饭店里任何一个中国工作人员若在近旁，都会走过来看着本杰明，见他初试失败，便都会试图帮忙。他们会轻轻握紧本杰明的手，直接将它引向钥匙的槽口，进行必要的重新定位，并帮他把钥匙插入槽口。然后那位“老师”会有所期待地对着我和埃伦微笑，似乎等着我们说声谢谢偶尔他会微微皱眉，似乎觉得我俩没有尽到当父母的责任。5 I soon realized that this incident was directly relev
10、ant to our assigned tasks in China: to investigate the ways of early childhood education (especially in the arts), and to throw light on Chinese attitudes toward creativity. And so before long I began to introduce the key-slot anecdote into my discussions with Chinese educators. 我很快意识到，这件小事与我们在中国要做的
11、工作直接相关 ：考察儿童早期教育 （尤其是艺术教育）的方式，揭示中国人对创造性活动的态度。因此，不久我就在与中国教育工作者讨论时谈起了钥匙槽口一事。TWO DIFFERENT WAYS TO LEARN6 With a few exceptions my Chinese colleagues displayed the same attitude as the staff at the Jinling Hotel. Since adults know how to place the key in the key slot, which is the ultimate purpose of a
12、pproaching the slot, and since the child is neither old enough nor clever enough to realize the desired action on his own, what possible gain is achieved by having him struggle? He may well get frustrated and angry certainly not a desirable outcome. Why not show him what to do? He will be happy, he
13、will learn how to accomplish the task sooner, and then he can proceed to more complex activities, like opening the door or asking for the key both of which accomplishments can (and should) in due course be modeled for him as well. 两种不同的学习方式我的中国同行，除了少数几个人外，对此事的态度与金陵饭店工作人员一样。既然大人知道怎么把钥匙塞进槽口这是处理槽口一事的最终
14、目的， 既然孩子还很年幼，还没有灵巧到可以独自完成要做的动作，让他自己瞎折腾会有什么好处呢？他很有可能会灰心丧气发脾气这当然不是所希望的结果。为什么不教他怎么做呢？他会高兴，他还能早些学会做这件事，进而去学做更复杂的事，如开门，或索要钥匙这两件事到时候同样可以 （也应该）示范给他看。7 We listened to such explanations sympathetically and explained that, first of all, we did not much care whether Benjamin succeeded in inserting the key into
15、 the slot. He was having a good time and was exploring, two activities that did matter to us. But the critical point was that, in the process, we were trying to teach Benjamin that one can solve a problem effectively by oneself. Such self-reliance is a principal value of child rearing in middle-clas
16、s America. So long as the child is shown exactly how to do something whether it be placing a key in a key slot, drawing a hen or making up for a misdeed he is less likely to figure out himself how to accomplish such a task. And, more generally, he is less likely to view life as Americans do as a ser
17、ies of situations in which one has to learn to think for oneself, to solve problems on ones own and even to discover new problems for which creative solutions are wanted. .我俩颇为同情地听着这一番道理，解释道，首先，我们并不在意本杰明能不能把钥匙塞进钥匙的槽口。他玩得开心，而且在探索，这两点才是我们真正看重的。但关键在于，在这个过程中，我们试图让本杰明懂得，一个人是能够很好地自行解决问题的。这种自力更生的精神是美国中产阶级最
18、重要的一条育儿观。如果我们向孩子演示该如何做某件事把钥匙塞进钥匙的槽口也好，画只鸡或是弥补某种错误行为也好那他就不太可能自行想方设法去完成这件事。从更广泛的意义上说，他就不太可能如美国人那样将人生视为一系列的情境，在这些情境中，一个人必须学会独立思考，学会独立解决问题，进而学会发现需要创造性地加以解决的新问题。TEACHING BY HOLDING HIS HAND8 In retrospect, it became clear to me that this incident was indeed key and key in more than one sense. It pointed
19、to important differences in the educational and artistic practices in our two countries. 把着手教回想起来，当时我就清楚地意识到，这件事正是体现了问题的关键之所在而且不仅仅是一种意义上的关键之所在。这件事表明了我们两国在教育和艺术实践上的重要差异。9 When our well-intentioned Chinese observers came to Benjamins rescue, they did not simply push his hand down clumsily or uncertain
20、ly, as I might have done. Instead, they guided him with extreme facility and gentleness in precisely the desired direction. I came to realize that these Chinese were not just molding and shaping Benjamins performance in any old manner: In the best Chinese tradition, they were ba zhe shou jiao “teach
21、ing by holding his hand“ so much so that he would happily come back for more. 那些善意的中国旁观者前来帮助本杰明时，他们不是简单地像我可能会做的那样笨拙地或是犹犹豫豫地把他的手往下推。相反，他们极其熟练地、温和地把他引向所要到达的确切方向。我逐渐认识到，这些中国人不是简单地以一种陈旧的方式塑造、引导本杰明的行为：他们是在恪守中国传统，把着手教，教得本杰明自己会愉快地要求再来一次。10 The idea that learning should take place by continual careful shapi
22、ng and molding applies equally to the arts. Watching children at work in a classroom setting, we were astonished by their facility. Children as young as 5 or 6 were painting flowers, fish and animals with the skill and confidence of an adult; calligraphers 9 and 10 years old were producing works tha
23、t could have been displayed in a museum. In a visit to the homes of two of the young artists, we learned from their parents that they worked on perfecting their craft for several hours a day. 学习应通过不间断的精心塑造与引导而得以实现，这一观念同样适用于艺术。我们观看了孩子们在教室里学习艺术的情景，他们的娴熟技艺令我们惊讶。年仅 5、6 岁的孩子就带着成人的那种技巧与自信在画花、画鱼和动物；9 岁、10
24、岁的小书法家写出的作品满可以在博物馆展示。有一次去两位小艺术家的家里参观，我们从孩子的父母处得知，他们每天练习数小时以完善他们的技艺。CREATIVITY FIRST? 11 In terms of attitudes to creativity there seems to be a reversal of priorities: young .Westerners making their boldest departures first and then gradually mastering the tradition; and young Chinese being almost i
25、nseparable from the tradition, but, over time, possibly evolving to a point equally original. 创造力第一？从对创造力的态度来说，优先次序似乎是颠倒了：西方的年轻人先是大胆创新，然后逐渐深谙传统；而中国的年轻人则几乎离不开传统，但是，随着时间的推移，他们同样可能发展到具有创新的境界。12 One way of summarizing the American position is to state that we value originality and independence more than
26、 the Chinese do. The contrast between our two cultures can also be seen in terms of the fears we both harbor. Chinese teachers are fearful that if skills are not acquired early, they may never be acquired; there is, on the other hand, no comparable hurry to promote creativity. American educators fea
27、r that unless creativity has been acquired early, it may never emerge; on the other hand, skills can be picked up later. 美国人的立场可以概括起来这么说，我们比中国人更重视创新和自立。我们两种文化的差异也可以从我们各自所怀的忧虑中显示出来。中国老师担心，如果年轻人不及早掌握技艺，就有可能一辈子掌握不了；另一方面，他们并不同样地急于促进创造力的发展。美国教育工作者则担心，除非从一开始就发展创造力，不然创造力就有可能永不再现；而另一方面，技艺可于日后获得。13 However,
28、I do not want to overstate my case. There is enormous creativity to be found in Chinese scientific, technological and artistic innovations past and present. And there is a danger of exaggerating creative breakthroughs in the West. When any innovation is examined closely, its reliance on previous ach
29、ievements is all too apparent (the “standing on the shoulders of giants“ phenomenon). 但我并不想夸大其辞。无论在过去还是在当今，中国在科学、技术和艺术革新方面都展示了巨大的创造力。而西方的创新突破则有被夸大的危险。如果仔细审视任何一项创新，其对以往成就的依赖则都显而易见（“站在巨人肩膀之上”的现象） 。14 But assuming that the contrast I have developed is valid, and that the fostering of skills and creativ
30、ity are both worthwhile goals, the important question becomes this: Can we gather, from the Chinese and American extremes, a superior way to approach education, perhaps striking a better balance between the poles of creativity and basic skills? 然而，假定我这里所说的反差是成立的，而培养技艺与创造力两者都是值得追求的目标，那么重要的问题就在于：我们能否从
31、中美两个极端中寻求一种更好的教育方式，它或许能在创造力与基本技能这两极之间获得某种较好的平衡？Finding a way of teaching children to appreciate the value of money can be a problem. Yet the solution, David Owen suggests, is simple - just open a bank. Easier said than done? Well, it turns out to be not quite so difficult as it sounds, as youll disc
32、over in reading about the First National Bank of Dave. 设法教育孩子珍惜钱财会是件难事。然而，大卫欧文说，方法也很简单开个银行就行。说来容易做起来难？其实，这事并没听上去那么难，你读一读戴夫第一国家银行的故事就知道了。 .Children and MoneyDavid Owen 1 Parents who decide that the time has come to teach their children about money usually begin by opening savings accounts. The kids a
33、re attracted at first by the notion that a bank will pay them for doing nothing, but their enthusiasm disappears when they realize that the interest rate is tiny and, furthermore, their parents dont intend to give them access to their principal. To a kid, a savings account is just a black hole that
34、swallows birthday checks. 孩 子 与 金 钱大卫欧文当家长觉得该教孩子们懂得如何对待金钱的时候，他们通常先为孩子开个储蓄账户。刚开始的时候，孩子们颇感兴趣，因为他们想自己什么也不干银行还会付给他们钱，可当他们明白利率小得很，而且父母也无意让他们动用本金时，他们的热情一下子就冷却了。对一个孩子来说，一个储蓄账户只不过是一个吞没其生日礼金支票的黑洞。2 Kid: “Grandma gave me twenty-five dollars!“ Parent: “How nice. Well put that check straight into your savings a
35、ccount.“ Kid: “But she gave it to me! I want it!“ Parent: “Oh, it will still be yours. You just have to keep it in the bank so that it can grow.“ Kid (suspicious) : “What do you mean by grow?“ Parent: “Well, if you leave your twenty-five dollars in the bank for just one year, the bank will pay you s
36、eventy-five cents. And if you leave all of that in the bank for just one more year, the bank will give you another seventy-five cents plus two and a half more cents besides. Thats called compound interest. It will help you go to college.“ 孩子：“奶奶给了我 25 美金！”家长：“太棒了。咱们把支票直接存到你的账户上去。 ”孩子：“可这钱她是给我的！我要用！”
37、家长：“嗳，钱还是你的嘛。你只不过是要把钱放在银行里，好让它增多。 ”孩子（狐疑地）：“你说增多是什么意思？”家长：“哦，要是你把这 25 美金在银行里放一年，银行就会付给你 75 美分。要是你连本带息在银行里再放一年，银行会再付给你 75 美分，另加 2.5 美分。这叫做复利。这钱能帮你上大学。 ”3 The main defect in such saving schemes is that theres nothing in them for the kids. College is a thousand years away, and they probably think theyd
38、 just as soon stay home anyway. Indeed, the true purpose of such plans is usually not to promote saving but to prevent consumption. (1) Appalled by what their children spend on candy and video games (or, rather, appalled by the degree to which their childrens overspending seems to mimic their own),
39、parents devise ways to lock up their childrens resources. Not surprisingly, kids quickly decide that large sums arent real money and that all cash should either be spent immediately or hidden in a drawer. 这类储蓄计划的主要缺陷在于，孩子本人一无所获。上大学还不知要过多少年，他们或许会想他们宁愿呆在家里。实际上，这类计划的真正目的通常不是促进储蓄而是限制消费。孩子们在糖果、电子游戏上的花费之大
40、令家长们十分震惊（或者更确切地说，令他们吃惊的其实是孩子们的超支行为与他们自己的相似程度） ，于是他们便设法让孩子们将钱.存起来不用。毋怪乎孩子们很快就认定，大额钱款不是实实在在的钱，有了现钱要么赶紧花掉，要么藏在抽屉里。4 To avoid this problem with my two children, I started my own bank. Its called the First National Bank of Dave. I set up an account for each child, using the same computer program I use to
41、 keep track of my checkbook. Because I wanted my kids deposits to grow at a pace that would hold their attention, I offered an attractive interest rate-five per cent a month. (2) Compounded, that works out to an annual rate of more than 70 per cent. (No, I dont accept deposits from strangers.) Allow
42、ances are deposited automatically on the first day of each month. The kids can make other deposits, or withdrawals, whenever they like. 为了避免我的两个孩子产生这一问题，我开设了自己的银行，名叫戴夫第一国家银行。我用记录自己支票簿使用情况的同一个电脑程序给每个孩子开了一个账户。因为我希望孩子存款增长的速度足以引起他们的注意，便给他们一个诱人的利率月息 5 厘。以复利计算，年息达到 70%以上。 （不，我不接受外来存款。 ）零花钱在每月第一天自动存入。孩子们也可
43、以把别的钱存进来，想存就存，想取就取。5 The Bank of Dave, which has been in operation four years, instantly turned both my children into keen savers. My son still comes to me with change he has found on the floor of the car, saying, “And credit this today.“ Both kids accounts grew so fast that after two years I had to
44、 roll back my monthly interest rate to three per cent. The kids protested when I announced the change, but they nodded solemnly when I explained that the law of supply and demand applies even to the supply of money. The kids help me calculate their interest - a useful lesson in averaging and percent
45、ages. (3) I give them unlimited access to their funds, no questions asked, and I provide printed statements on demand. 戴夫银行经营了 4 年，一下子就把我的两个孩子变成了热心的储蓄者。至今我儿子在车里找到零钱仍会来找我说， “今天就把这个上账。 ”两个孩子的存款增长很快，两年之后，我不得不将月利率降至 3 厘。我宣布调低利率时两个孩子反对，可当我解释说供求法则同样适用于货币供应后，两人严肃地点头赞同。两个孩子帮我一起计算他们的利息这可是学习计算平均值与百分比的颇为有用的一课。
46、他们使用自己的资金我不加任何限制，不作任何询问，我还根据要求随时提供打印的账单。6 The high rate of interest is not the only attractive feature of the Bank of Dave. Equally important from the kids point of view is that their accounts belong to them. When they save, they harvest the benefit; when they want to spend, they dont need permissio
47、n. Children who have no control over their own funds have no incentive not to beg for money and then spend every dollar that comes into their hands. 高利率并非戴夫银行惟一诱人之处。在孩子看来同样重要的是，他们的存款属于他们自己。他们存钱便会获利；他们想花钱也用不着获得许可。孩子对自己的钱没有自主权，就没有什么东西激励他们不去伸手要钱，不把到手的钱花个光。7 The way to help children become rational cons
48、umers is to give them more control, not less. Before we go on vacation, Ill usually give my kids an extra twenty bucks or so, which I deposit in their accounts. I tell them that they can spend the extra money on a T-shirt, save it, spend it before we leave, or do anything else they want with it - bu
49、t that while we are on vacation, they wont .receive any additional pocket money from me (except in the form of communal purchases considered by custom to be vacation entitlements, such as candy, ice cream, movie tickets, and so on). Because any money they spend starts out as theirs, not mine, they think twice before throwing it away. In a souvenir store on Marthas Vineyard a couple of summers ago my son quietly studied the unpromising m
