1、河南理工大学万方科技学院本科毕业论文ONTHECHARACTERSHAPINGOF“GONEWITHTHEWIND“FROMTHEPERSPECTIVEOFIMAGISM从意象视角看飘的人物性格塑造院系名称文学与法学系姓名学号201004020339专业英语指导教师2014年5月30日ONTHECHARACTERSHAPINGOF“GONEWITHTHEWIND“FROMTHEPERSPECTIVEOFIMAGISMATHESISSUBMITTEDTOLITERATUREANDLAWDEPARTMENTOFWANFANGCOLLEGEOFSCIENCEINTRINSICPOWEREXTRINS
2、ICPROTECTORANDHELPERII摘要飘是最受欢迎的美国小说之一,它是由美国女作家玛格丽特米切尔写的。出版时,其销售出版圈中打破了许多记录,它闻名于全世界。这部小说主要描述了思嘉的女儿塔拉在南北战争期间的生活。与此同时在阿希礼，斯嘉丽和瑞德之间的三角恋提示下，这部小说描绘了一个广泛的和繁荣的美国南方的社会生活。本文主要从意向主义来研究斯嘉丽、瑞德、和阿希礼的人物性格。主要研究他们在战争前，战争中，以及战争后的性格变化。通过这些来诠释环境对人物性格塑造的重要性，由此使人们在日常生活中更加重视环境的重要性。本文主要分为两个章节。第一章节介绍意向主义的定义，发展变化以及意向主义对人物性格塑
3、造的寓意。第二章从意向视角来分析斯嘉丽、瑞德、和阿希礼的性格。第一节分析斯嘉丽的性格，从小时候的天真无邪，无悠无虑到战争中的勇敢果断、坚强。最后，战争结束候变得勇于承担，为他人着想。第二节分析瑞德，面对战争瑞德的沉着冷静，顾全大局。战争中对斯嘉丽的帮助以及对斯嘉丽矢志不渝的爱。第三节主要分析阿希礼，战争前阿希礼过着惬意的生活，自己温文儒雅，文质彬彬。他完全没有想到战争会这么残酷。战争后他变得软弱无能，什么都做不好，特别是当他妻子去世后他简直就崩溃了。本文通过意向主义对三个人物的分析，旨在让人们明白人的性格不是一成不变的，环境对人的性格的塑造起了至关重要的作用。我们也不能总是处于一个环境中，人也
4、要学会变化，学会向好的方面变化。不管好的环境还是坏的环境，造就人的是人们的心态。我们要用坚强的心态去面对一切困难。关键词玛格丽特米切尔；内在动力；外在的保护者和助手IIIACKNOWLEDGEMENTSTHISTHESISISTHEPRODUCTOFTHEAUTHORANDTHESUPERVISORSTHREEMONTHSOFEFFORTSITHASBEENREPEATEDLYREVISEDUNDERTHEGUIDANCEOFPROFESSORZHAONINGXIAITWASTHEJOINTEFFORTSOFBOTHTHEAUTHORANDTHETEACHERSZHAONINGXIAINLIT
5、ERATUREANDLAWDEPARTMENTIWOULDLIKETOEXPRESSMYHEARTFELTTHANKSTOPROFESSORANDTHETEACHERSWHOHAVEHELPEDTHEAUTHORINTHEPROCESSOFTHETHESISWRITINGIWILLALSOGIVEMYTHANKSTOMYCLASSMATESANDFRIENDSWHOHAVEHELPEDMEREVISETHETHESISLASTBUTNOTLEAST,IWILLGIVEMYHEARTFELTTHANKSTOMYPARENTSWHOHAVEBEENALWAYSSUPPORTINGANDENCOUR
6、AGINGMEIVCONTENTSINTRODUCTION11IMAGISM311DEFINITIONOFIMAGISM312DEVELOPMENTOFIMAGISM513IMAGIESINGONEWITHTHEWIND52ANALYZETHECHARACTERFROMIMAGISM621SCARLETTOHARA6211INNOCENCEINTHEPEACEFULLIFE6212COURAGEANDDECISIONDURINGTHEWAR7213RESPONSIBILITYAFTERTHEWAR822RHETTBUTLER9222CALMNESSANDINTELLIGENCEINTHEFAC
7、EOFTHEWAR10223ENTHUSIASMANDPERSISTENCEINTHEFACEOFSCARLETT1123ASHLEY11231GENTLENESSBEFORETHEWAR11232WEAKNESSANDINCOMPETENCEAFTERTHEWAR11CONCLUSION14BIBLIOGRAPHY151INTRODUCTIONMARGARETMITCHELL19001949,BORNINATLANTAIN1900,MARGARETMITCHELLGREWUPSURROUNDEDBYRELATIVESWHOTOLDENDLESSTALESOFTHECIVILWARANDREC
8、ONSTRUCTIONSHEKNEWTHOSEWHOWERERELICSOFADESTROYEDCULTURE,ANDTHOSEWHOHADPUTASIDEGENTILITYFORSURVIVALHERMOTHERINSTILLEDINHERTHATEDUCATIONWASHERONLYSECURITYSHEATTENDEDSMITHCOLLEGEBUTHADTOCOMEHOMEWHENHERMOTHERFELLILLAFTERHERMOTHERSDEATH,MARGARETRESOLVEDTHATSHEHADTOMAKEAHOMEFORHERFATHERANDBROTHER,SOSHELEF
9、TCOLLEGEANDRETURNEDTOATLANTAIN1923,SHEBECAMEAFEATUREWRITERFORTHEATLANTAJOURNAL,ANDIN1925,SHEMARRIEDJOHNMARSH,APUBLICRELATIONSOFFICERFORGEORGIAPOWERSHEFOUNDMOSTOFHERASSIGNMENTSUNFULFILLING,ANDSHESOONLEFTTOTRYWRITINGFICTIONMORETOHEROWNTASTEHEROWNHARSHESTCRITIC,SHEWOULDNOTTRYTOGETHERWORKPUBLISHEDSHEBEG
10、ANTOWRITEGONEWITHTHEWINDIN1926,WHILERECOVERINGFROMANAUTOMOBILEACCIDENTOVERTHENEXTEIGHTYEARSSHEPAINSTAKINGLYRESEARCHEDFORHISTORICALACCURACYGONEWITHTHEWIND,PUBLISHEDIN1936,BROUGHTMARGARETMITCHELLINTOGREATSUCCESSANDRECOGNITIONASANIMPORTANTAMERICANWRITERUNDERTHEBACKGROUNDOFTHECIVILWAR,MARGARETMITCHELLFO
11、CUSEDMOSTOFHERWORKSONTHETHEMEOFIMAGISMGONEWITHTHEWINDHASTHREEMAINCHARACTERSSCARLETTOHARAASHLEYRHETTBUTLERTHESTORYHAPPENEDINASPRINGOF1861SCARLETTOHARALIVESONTARA,ALARGEPLANTATIONINGEORGIASCARLETTCONFESSESHERLOVETOASHLEYHETELLSHERTHATHEDOESLOVEHERBUTTHATHEISMARRYINGMELANIEBECAUSESHEISSIMILARTOHIMSCARL
12、ETTSLAPSASHLEYRHETTBUTLER,ASCANDALOUSBUTDASHINGADVENTURER,HASBEENWATCHINGTHEWHOLESCENETHECIVILWARBEGINSSCARLETTAGREESTOMARRYCHARLESHAMILTON,MELANIESTIMID,HOPINGTOHURTASHLEYOVERTHECOURSEOFTWOMONTHS,SCARLETTANDCHARLESMARRY,CHARLESJOINSTHEARMYANDDIESOFTHEMEASLES,ANDSCARLETTLEARNSTHATSHEISPREGNANTAFTERS
13、CARLETTGIVESBIRTHTOASON,WADE,SHEBECOMESBOREDANDUNHAPPYSHEMAKESALONGTRIPTOATLANTASHEBEGINSTOSEEAGREATDEALOFRHETT2RHETTINFURIATESSCARLETTWITHHISBLUNTNESSANDMOCKERY,BUTHEALSOENCOURAGESHERTOFLOUTTHESEVERELYRESTRICTIVESOCIALREQUIREMENTSFORMOURNINGSOUTHERNWIDOWSDURINGTHEWAR,RHETTHELPSSCARLETTALOTSHEREACHE
14、STARAATLASTSHEFINDSTHATHERMOTHERISDEADHERFATHERHASLOSTHISMINDANDTHEYANKEEARMYHASLOOTEDTHEPLANTATION,LEAVINGNOFOODORCOTTONSCARLETTTAKESCHARGEOFREBUILDINGTARASHEMURDERSAYANKEETHIEFANDPUTSOUTAFIRESETBYASPITEFULYANKEESOLDIERDETERMINEDTOPAYSTHETAXESONTARA,SHEBETRAYSHERSISTERANDMARRIESHERSISTERSBEAU,FRANK
15、KENNEDY,WHONOWOWNSAGENERALSTOREAFREEBLACKMANANDHISWHITEMALECOMPANIONATTACKSCARLETTONHERWAYHOMEFROMTHESAWMILLONEDAYTHATNIGHT,THEKUKLUXKLANAVENGESTHEATTACKONSCARLETT,ANDFRANKENDSUPDEADRHETTPROPOSESTOSCARLETTANDSHEQUICKLYACCEPTSSCARLETTBECOMESPREGNANTAGAINANDHASANOTHERCHILDSCARLETTANDRHETTSMARRIAGEBEGI
16、NSHAPPILY,BUTRHETTBECOMESINCREASINGLYBITTERANDINDIFFERENTTOWARDHERAFTERBONNIEISKILLEDINAHORSERIDINGACCIDENT,RHETTNEARLYLOSESHISMIND,ANDHISMARRIAGEWITHSCARLETTWORSENSSCARLETTREALIZESTHATASHLEYHASBEENONLYAFANTASYFORHERSHECONCLUDESTHATSHETRULYLOVESRHETTSCARLETTHURRIESTOTELLRHETTOFHERREVELATIONRHETT,HOW
17、EVER,SAYSTHATHEHASLOSTHISLOVEFORSCARLETT,ANDHELEAVESHERGRIEFSTRICKENANDALONE,SCARLETTMAKESUPHERMINDTOGOBACKTOTARATOTHINKOFAWAYTOWINRHETTBACKTHISPAPERWILLBEFROMTHEPERSPECTIVEOFIMAGEANALYSISSCARLETTOHARARHETTBUTLERASHLEYSCHARACTERINTHISPAPER,ATFIRSTUSEIMAGETECHNIQUE,ANDTHROUGHASUNSET,THEENDLESSRED,PAT
18、CHES,ROWSOFLUSHOAK,PLAYWITHSHEEPBOYNEXTDOORONEBYONE,SUCHASOBJECTFORUSTOPRESENTAPOEMLIKEQUIETPASTORALSCENERYOFTHEPEACHRAYTARAESTATEITSAIMISTOSHOWTHEREADERTHATTHEPROTAGONISTLIFECAREFREEANDRICHASWELLASHERINNOCENTANDLIVELY,BEAUTIFULANDLIVELYPERSONALITYDURINGTHEMOURNINGOFTHEPROTAGONISTREGARDLESSOFOTHERSR
19、IDICULEANDSCORNTOTAKETHEINITIATIVETOACCEPTTHERHETTTODANCEWITHTHEREQUESTOFTHEREFLECTEDTHEDECISIVETOHERCHARACTER,BEBRAVEINTHEWARTOATLANTA,SHEJOINTHENURSE,TAKECARETHEWOUNDEDINEXTREMEMISSHERPARENTS,SHEDIDNOTRUNAWAY,BUTTOSTAYFORMELANIEGAVEBIRTHTOTHECHILDANDBRINGHERBACKTOWHOMANORREFLECTEDHERACCOUNTABLE,3P
20、ERSISTENCE,CAREFOROTHERSIMAGETECHNIQUEISEMBODIEDINTHECHARACTEROFRHETTBUTLERASMILEHEGENTLEMANSMEANING,OFTENSEEMTOBEUSINGHISDEEPANDPUZZLINGLOOKATEVERYTHINGIMAGETECHNIQUEISREFLECTEDUPONASHLEY,BEFOREHEISGENTLE,AFTERTHEWARHEBECAMEFRAGILEINCOMPETENTBYANALYZINGMAKEPEOPLEAWAREOFTHEIMPORTANCEOFTHEENVIRONMENT
21、,THEENVIRONMENTHASAGREATINFLUENCEONANINDIVIDUALCHARACTERTHENOVELISSETINTHEAMERICANCIVILWAR,THEHEROANDHEROINESHAPEDDIFFERENTPERSONALITYTRAITSSOSOMESCHOLARSFROMDIFFERENTASPECTSTOANALYSESTHEWORKTHESEANALYSESAREMAINLYCONCENTRATEDINTHEFOLLOWINGTHREEASPECTSFIRSTOFALL,FROMTHEFEMINISTPERSPECTIVEANALYSESPROT
22、AGONISTINTHEWORKSOFFEMINISTCONSCIOUSNESSZHANGYANAN,FOREXAMPLE,THROUGHTOONEOFTHEHEROINEIN“GONEWITHTHEWIND“SCARLETTCHARACTERIMAGEANALYSIS,PARSINGTHEEMBODIMENTOFTHEFEMINISTTHOUGHTSONSCARLETTANDITSLONGTERMANDEXTENSIVESOCIALINFLUENCESECONDLY,ANALYSESOFTHECHARACTERSINTHEWORKSSANGYANXIAFROMPOSITIVEANDNEGAT
23、IVETWOASPECTSANALYZESTHEPROTAGONISTIN“GONEWITHTHEWIND“THISCHARACTER,WHICHDENIEDTHETRADITIONALPEOPLEFORMEDFORALONGTIMEPOINTOFVIEW,THINKTHECHARACTERSARECOMPLEX,SCARLETTINHERSELFISH,GREEDY,CRUELPERSONALITY,THEREISASBRAVEASAMANINFRONTOFDIFFICULTIES,BEARHARDSHIPSANDSTANDHARDWORK,LOYALTOLOVETHEGOODQUALITY
24、ATLAST,THEPAPERANALYSESTHEMARRIAGEOFTHEHEROINEWUJING,WEILIANGBY“GONEWITHTHEWIND“MARRIAGEOFSCARLETTINTHEPERSPECTIVEOFMODERNCHINESEYOUNGPEOPLEFREAKMARRIAGEATTHESAMETIME,BYTHESPIRITOFMEILANEYMARRIAGEPUTSFORWARDTHEREVELATIONOFAHAPPYMARRIAGE1IMAGISM11DEFINITIONOFIMAGISMIMAGISTICISTHEBEGINNINGOFTHE20THCEN
25、TURYTHEBRITISHANDAMERICANPOETRYOFAMOVEMENT,AMOVEMENTADVOCATEDPOETRYSHOULDFOLLOWTHEACCURACYOFTHEIMAGE,4USINGCLEARANDPRECISELANGUAGEIMAGE,AGAINSTTOOMUCHINVOLVEDINEMOTIONANDSKILL,WHICHISINTHEROMANTICPOETRYANDPOETRYOFTENOCCURSINVICTORIATHECONTEMPORARYGEORGIANPOETSANDTHEIRDISTINCT,GEORGIAPOETSADVOCATEDTH
26、ETRADITIONSFROM1914TO1917,MANYOFTHELATERISNOTAFAMOUSMODERNWRITERINTHEFIELDOFPOETRYINTHENAMEOFIMAGISTICPUBLISHEDALARGENUMBEROFPOEMS,MAINLYINCLUDEDINFOURVOLUMESOFPOETRYIMAGISTICSTRESSREGRESSIONTOCOMPARETHECLASSICALSTYLE,SUCHASTHEEXPRESSIONOFFEELING,INDIRECTLANGUAGE,TRYTONONTRADITIONALPOETRYFORMATTHEYT
27、HINKTHEOBJECTIS,THISVIEWREVEALSTHEDEVELOPMENTOFTHECONTEMPORARYAVANTGARDEART,ESPECIALLYCUBISMTHELITERATUREMOVEMENTLAUNCHEDBYEZRAPOUND,HEANDHISFRIENDSTHINKOFPOETRYINTHE19THCENTURYWITHTHEFLAWSVOCABULARYSTUFFINGANDOUTDATED,REPEATENCUMBRANCE,FORMATANDCOMPLEX,ESPECIALLYTHETRADITIONALCHAPTERSANDSTEPIMAGEAC
28、TIVISTSADVOCATINGDIRECTLYREFLECTTHINGS,POETRYSHOULDBEDETERMINEDBYTHEMUSICEZRAPOUNDANDHISFOLLOWERSBELIEVETHATSHOULDBEGENERATEDBYTHEIMAGEOFTHEEMOTIONAL,RATHERTHANTHEAUTHORTELLSTHEREADERSHOULDHAVEWHATKINDOFFEELINGSHUME,EZRAPOUND,1913MANIFESTO,PUBLISHEDINLONDON,SUCHASFLINTIMAGISTICTHREESUBJECTIVEANDOBJE
29、CTIVETHINGSREQUIREDIRECTEXPRESSION,DELETEALLDOESNOTHELPTHETERM“PERFORMANCE“,REPLACETHETRADITIONALRULESWITHRHYTHMOFSPOKENENGLISHEZRAPOUNDWASCALLEDTHE“IMAGE“THECOMPLEXOFTHETHOUGHTSANDFEELINGSFORAMOMENT“BETWEEN1914AND1918INAI,LOWELLAUSPICESPUBLISHEDFIVEVOLUMESOFTHEIMAGISTPOEMS,30SANDHAD1ROLLBELONGTOTHE
30、GENREANDTHEBRITISHPOETRICHARDOLDING,DAVIDLAWRENCE,AMERICANHILDADOOLITTLE,EZRAPOUNDEZRAPOUND,ANDWILLIAMCARLOSWILLIAMS,ETCTHEYMAINLYEXPRESSINVISUALIMAGECAUSELENOVO,AFLASHOFINTUITIONANDTHOUGHTGENERALLY,HEUSEFREEBODYWRITINGSHORTCHAPTERACCORDINGTOPOUNDCLAIMS,SUCHASTHEYHADBEENUSINGIMAGEMETHODINCHINESEANDJ
31、APANESEHAIKUONIMPACTTHEPARTYANDAMERICANMODERNPOETRYINORALENGLISH,FREEBODYANDINFLUENTIALCASTINGIMAGE512DEVELOPMENTOFIMAGISMMODERNISMDISPLAYEDITSMOMENTUMFIRSTINTHEMOVEMENTOFIMAGISMASAREACTIONTOVICTORIANANDEDWARDIANPOETRYIMAGISTSWEREAGROUPOFPOETSPROMINENTBETWEEN1908AND1917THEYUSHEREDINAWHOLENEWEAROFPOE
32、TICEXPERIMENTATIONTHEMOSTOUTSTANDINGFIGURESOFTHEMOVEMENTWEREEZRAPOUND,AMYLOWELLANDHILDADOOLITTLEITISAMOVEMENTINUSANDENGLISHPOETRYCHARACTERIZEDBYTHEUSEOFCONCRETELANGUAGEANDFIGURESOFSPEECH,MODERNSUBJECTMATTER,METRICALFREEDOM,ANDAVOIDANCEOFROMANTICORMYSTICALTHEMES,AIMINGATCLARITYOFEXPRESSIONTHROUGHTHEU
33、SEOFPRECISEVISUALIMAGESITGREWOUTOFTHESYMBOLISTMOVEMENTIN1912ANDWASINITIALLYLEDBYEZRAPOUND,AMYLOWELL,ANDOTHERSTHEIMAGISTMANIFESTOCAMEOUTIN1912SHOWEDTHREEIMAGISTPOETICPRINCIPLESDIRECTTREATMENTOFTHE“THING”（NOFUSS,FRILL,ORORNAMENT）,EXCLUSIONOFSUPERFLUOUSWORDS（PRECISIONANDECONOMYOFEXPRESSION）,THERHYTHMOF
34、THEMUSICALPHRASERATHERTHANTHESEQUENCEOFAMETRONOME（FREEVERSEFORMANDMUSIC）POUNDDEFINEDANIMAGEASTHATWHICHPRESENTSANINTELLECTUALANDEMOTIONALCOMPLEXINANINSTANTOFTIME,ANDLATERHEEXTENDEDTHISDEFINITIONWHENHESTATEDTHATANIMAGEWAS“AVORTEXORCLUSTEROFFUSEDIDEAS,ENDOWEDWITHENERGY”THEREEXISTEDGREATINFLUENCEOFCHINE
35、SEPOETRYONTHEIMAGISTMOVEMENTIMAGISTSFOUNDVALUEINCHINESEPOETRYWASBECAUSECHINESEPOETRYIS,BYVIRTUEOFTHEIDEOGRAPHICANDPICTOGRAPHICNATUREOFTHECHINESELANGUAGE,ESSENTIALLYIMAGISTICPOETRY13IMAGIESINGONEWITHTHEWINDARTISTHEMOREPERFECT,THEIRCONTENTANDTHOUGHTTHEMOREPROFOUNDINNERTRUTH“GONEWITHTHEWIND“THEOUTLINEO
36、FTHEDIFFERENTSCENARIOSANDTHESHAPINGOFCLEVERUSEOFIMAGETECHNIQUE,THISWILLWORKTHECHARACTERSINTHEIMAGEOFTHENATURALBEAUTYANDPHYSICALBEAUTYSHOWINCISIVELYANDVIVIDLY,OUTSTANDINGCHARACTER,THEPLOTUPSANDDOWNS,ANDTHEINTEGRATIONOFSOCIALREALITYATTHATTIME,SHOWEDELEGANTLYFORREADERSOFTHELONGHISTORYOFSOCIALREALITYATT
37、HESAMETIME,THEHEROWITHTHE6DEVELOPMENTOFTHEPLOT,THEORGANICCOMBINATIONOFIMAGESBYONE,TOMAKETHEIRINCREASINGLYRICHANDMATUREPERSONALITYBEFORETHEWAR,WECANSEEARAYOFSUNSHINE、LARGEREDLAND、BETIFULCOUNTRYMANSIONANDCHILDRENSPLAYALLOFTHESEIMAGESEXPRESSTHELIFEOFSCARLETTSHELIVESACAREFREELIFETHEREISAINGENUEAIRABOUTH
38、ERDURINGTHEWAR,SHEBECOMEDESICIVEANDCOURAGEWHENSHEFACEDTHEENEMY,SHESHOTANDKILLEDTHEMANWHENSHEMISSEDHERMOTHERVERYMUCH,SHEDIDNTLEAVEHOMESHECHOSETOLOOKAFTERMELANYAFTERTHEWAR,SHETOOKTHERESPONSIBILITYOFHERFAMILYSHEGRABBEDLANDVOWEDNOTTOLETTHEFAMILYGOHUNGRYIMAGISTICALSOREFLECTUPONRHETTWHENALLTHEPEOPLEWEREQU
39、ARRELLINGABOUTWAR,HEJUSTSMILEHISSMILEINTERPRETATIONSHISCALMWHENHEKNEWSCARLETTGETINTOTROUBLE,HERANAHORSEQUICKLYTHESPEEDOFTHEHORSESEXPRESSHISLOVETOSCARLETTTHESESCENESSHOWHISLOVEFORHERWEKNOWASHLEYISVERYGENTLEBEFOREHISDRESSSHOWSTHATHELIVESACAREFREELIFEWECANSEEHEWOREANEATANDDECENTAFTERTHEWAR,HECOMEBACKHE
40、CANNOTTODOSOMETHINGBUTTODOBUSINESSWITHSCARLETTHECANNOTAFFORDTOTAKEHOE,DIDNOTEVENTHESTRENGTHTOWORKTHESESCENESSHOWHISWEAKNESS2ANALYZETHECHARACTERFROMIMAGISM21SCARLETTOHARA211INNOCENCEINTHEPEACEFULLIFETHESTORYSTARTEDTOBORROWIMAGETECHNIQUE,THROUGHASUNSET,THEENDLESSRED,PATCHES,ROWSOFLUSHOAK,PLAYWITHSHEEP
41、BOYNEXTDOORONEBYONE,SUCHASOBJECTFORAQUIET,WEPRESENTAPOEMASTHEPASTORALSCENERYOFTHEPEACHRAYTARAESTATEITSAIMISTOSHOWTOTHEAUDIENCE,ANDPEACHFARMEASYANDCOMFORTABLEENVIRONMENT,LIVEHAPPYANDCOMFORTABLELIFE,CAREFREEPEOPLEMANORGERALDOHARA7GERALDOHARASCARLETTOHARA,THEDAUGHTEROFBROCCOLIINALONGWHITEDRESS,CURLUPWI
42、THAREDROPE,DRAGGINGINTHESUNSETDRESSRANALLTHEWAYTOFINDHISFATHERSHESTILLCOMESASCHINACARDAMOMYEARS,HERLIFEWITHOUTWAR,SHEALSODONTKNOWWHATISWARSHEISBEAUTIFULANDLIVELY,CHILDLIKE,BUTATTHESAMETIME,BECAUSEOFFAMILYRICH,FATHERCAREMAKESHERPROUDANDCAPRICIOUS,UNSCRUPULOUSTHEPROTAGONISTFAMILYSUPERIORITYMAKESHERJUS
43、TTOENJOYTHEFAVOROFMENAROUNDWHOALWAYSTHINKTHATLOVEISDECIDEDBYHER,SHALLNOTBEAGAINSTOTHERSSCARLETTFALLSINLOVEWITHASHLEYWILKESASHLEYWILKES桑艳霞,2012126UNFORTUNATELY,ASHLEYCHOSEHISCOUSINMELANIEHANMILTONMELANIEHAMILTON,ANDDECIDEATTHETWELVEOAKSBARBECUEPARTYANNOUNCEDTHEIRENGAGEMENTTHENTHESTORYBACKTOTWELVEOAKS
44、LOUNGE,INALOUNGEGENTLEMANINCLUSTEREDTOGETHERNOISY,TALKABOUTTHEQUESTIONOFWARWITHTHEYANKEESWHENMOSTOFTHESOUTHERNGENTLEMANTHINKWILLWIN,BUTASHLEYSAIDDONTWANTWARRHETTALSOTHINKTHATCOTTON,SLAVESALONEWITHOUTSHIPBUILDINGFACTORY,ARTILLERY,THEFLEETISIMPOSSIBLETOWINBATTLESTHEMENOFWARANDALLTHEDIFFERENTINSIGHTFUL
45、ATTRACTEDTHEATTENTIONOFTHEPROTAGONISTANDASHLEYWITHOUTFIGHTING,ANDTHEMETHODMAKESTHEPROTAGONISTSTRENGTHENEDHERLOVEFORASHLEYSOWHENTHEPROTAGONISTTOFINDANDASHLEYALONE,SHEDIDNOTHESITATETOHERLOVETOASHLEYTABLEWHITEASHLEYADMITTEDTHATSCARLETTISENTHUSIASTICABOUTHISLIFE,WHICHISWHATHENEEDS,BUTHETHINKSTHATMELANIE
46、ISMORESUITABLEFORTHEMSELVESSCARLETTCOULDNOTTOLERATEASHLEYREFUSEDTOHERSOTHEREWILLBEAPROTAGONISTTOASHLEYGAVEASLAPINTHEFACEOFTHEPLOT212COURAGEANDDECISIONDURINGTHEWARSCARLETTISBRAVEANDDECISIVECHANCEENCOUNTER,INATLANTA,HANMILTONHOMEHERGENTLEMANWITHTWELVEOAKSAREPAININTHENECKRHETTMEETAGAINCOLLECTINGMONEYFO
47、RTHESOUTHERNWARFUNDING,SHEREGARDLESSOFTHEBONDAGEOFTRADITIONALCUSTOMSANDPRESENTSOMEMOCKEDANDRIDICULEDMEGENTLEMAN,LADIES,ARESTILLINMOURNINGDURINGTHEPROTAGONISTTOVOLUNTARILYACCEPTTHERHETTDANCEWITHTHEREQUEST,8WONNUMEROUSLADIESGENTLEMENAPPLAUSEANDCOOINGASANURSEDURINGTHEWAR,SHEGO,HELPTHEDOCTORTOHEALTHEWOU
48、NDEDANDRESCUETHEDYINGSHESINTHEVERYHOMESICK,MISSMYMOTHER,BUTSHESTILLCHOSETOSTAYMEILANEYWILLPRODUCTIONBECAUSEITISOVER,SHECOULDNOTTURNABLINDEYETOHERTOSTAYTOHELPMEILANNISHENGCHILDRENFINALLY,INHEREFFORTSTOTHECHILDISBORNWITHSHEKNEWTHATTHEYWERENOTSAFE,SHETOLDMELANEYBACKTOHERHOUSEINSOURGENTSITUATION,SHERIDE
49、AHORSEWITHMEILANNICHONGFLAME,TOEVADETHEENEMYSGUNS,FINALLYCAMEHOMESCARLETTSCOURAGECANBESEENFROMWHATSHEDOESTOPROTECTHERFAMILYANDHERSECONDMARRIAGETOFRANKWHENSCARLETTRETURNTARA,THETARASFORMEROVERSEER,YANKEEJONASWILKERSON,NEWLYASCALLYWAG,RAISESTHETAXESONTARATOFORCETHEHARAOUTSOTHATHEANDHISWIFECANLIVETHEREINORDERTOSAVETARA,SCARLETTGOESTOATLANTAANDGETSRHETTTOGIVEHERTHEMONEYTOPAYTHETAXESSHESOONFINDSOUTRHETTISINJAILANDUNABLETOHELPHERSHETHENRUNSINTOFRANKKENNEDY,WHOISASUCCESSFULSTOREOWNERFRANK,ISUNABLETORESISTSCARLETTSCHARMS,MARRIESHERANDGIVESHERTHETAXMONEYINALL,HERCOURAGEMAKESH
