1、Design Without Designers I will always remember my first introduction to the power of good product design. I was newly arrived at Apple, still learning the ways of business, when I was visited by a member of Apples Industrial Design team. He showed me a foam mockup of a proposed product. “Wow,“ I sa
2、id, “I want one! What is it?“ That experience brought home the power of design: I was excited and enthusiastic even before I knew what it was. This type of visceral “wow“ response requires creative designers. It is subjective, personal. Uh oh, this is not what engineers like to hear. If you cant put
3、 a number to it, its not important. As a result, there is a trend to eliminate designers. Who needs them when we can simply test our way to success? The excitement of powerful, captivating design is defined as irrelevant. Worse, the nature of design is in danger. Dont believe me? Consider Google. In
4、 a well-publicized move, a senior designer at Google recently quit, stating that Google had no interest in or understanding of design. Google, it seems, relies primarily upon test results, not human skill or judgment. Want to know whether a design is effective? Try it out. Google can quickly submit
5、samples to millions of people in well-controlled trials, pitting one design against another, selecting the winner based upon number of clicks, or sales, or whatever objective measure they wish. Which color of blue is best? Test. Item placement? Test. Web page layout? Test. This procedure is hardly u
6、nique to Google. A has long followed this practice. Years ago I was proudly informed that they no longer have debates about which design is best: they simply test them and use the data to decide. And this, of course, is the approach used by the human-centered iterative design approach: prototype, te
7、st, revise. Is this the future of design? Certainly there are many who believe so. This is a hot topic on the talk and seminar circuit. After all, the proponents ask reasonably, who could object to making decisions based upon data? Two Types of Innovation: Incremental Improvements and New Concepts I
8、n designand almost all innovation, for that matterthere are at least two distinct forms. One is incremental improvement. In the manufacturing of products, companies assume that unit costs will continually decrease through continual, incremental improvements. A steady chain of incremental innovation
9、enhances operations, the sourcing of parts and supply-chain management. The product design is continually tinkered with, adjusting the interface, adding new features, changing small things here and there. New products are announced yearly that are simply small modifications to the existing platform
10、by a different constellation of features. Sometimes features are removed to enable a new, low-cost line. Sometimes features are enhanced or added. In incremental improvement, the basic platform is unchanged. Incremental design and innovation is less glamorous than the development of new concepts and
11、 ideas, but it is both far more frequent and far more important. Most of these innovations are small, but most are quite successful. This is what companies call “their cash cow“: a product line that requires very little new development cost while being profitable year after year. The second form of
12、design is what is generally taught in design, engineering and MBA courses on “breakthrough product innovation.“ Here is where new concepts get invented, new products defined, and new businesses formed. This is the fun part of innovation. As a result, it is the arena that most designers and inventors
13、 wish to inhabit. But the risks are great: most new innovations fail. Successful innovations can take decades to become accepted. As a result, the people who create the innovation are not necessarily the people who profit from it. In my Apple example, the designers were devising a new conception. In
14、 the case of Google and Amazon, the companies are practicing incremental enhancement. They are two different activities. Note that the Apple product, like most new innovations, failed. Why? I return to this example later. Both forms of innovation are necessary. The fight over data-driven design is m
15、isleading in that it uses the power of one method to deny the importance of the second. Data-driven design through testing is indeed effective at improving existing products. But where did the idea for the product come from in the first place? From someones creative mind. Testing is effective at enh
16、ancing an idea, but creative designers and inventors are required to come up with the idea. Why Testing Is Both Essential and Incomplete Data-driven design is “hill-climbing,“ a well-known algorithm for optimization. Imagine standing in the dark in an unknown, hilly terrain. How do you get to the to
17、p of the hill when you cant see? Test the immediate surroundings to determine which direction goes up the most steeply and take a step that way. Repeat until every direction leads to a lower level. But what if the terrain has many hills? How would you know whether you are on the highest? Answer: you
18、 cant know. This is called the “local maximum“ problem: you cant tell if you are on highest hill (a global maximum) or just at the top of a small one. When a computer does hill climbing on a mathematical space, it tries to avoid the problem of local maxima by initiating climbs from numerous, differe
19、nt parts of the space being explored, selecting the highest of the separate attempts. This doesnt guarantee the very highest peak, but it can avoid being stuck on a low-ranking one. This strategy is seldom available to a designer: it is difficult enough to come up with a single starting point, let a
20、lone multiple, different ones. So, refinement through testing in the world of design is usually only capable of reaching the local maximum. Is there a far better solution (that is, is there a different hill which yields far superior results)? Testing will never tell us. Here is where creative people
21、 come in. Breakthroughs occur when a person restructures the problem, thereby recognizing that one is exploring the wrong space. This is the creative side of design and invention. Incremental enhancements will not get us there. Barriers to Great Innovation Dramatic new innovation has some fundamenta
22、l characteristics that make it inappropriate for judgment through testing. People resist novelty. Behavior tends to be conservative. New technologies and new methods of doing things usually take decades to be accepted - sometimes multiple decades. But the testing methods all assume that one can make
23、 a change, try it out, and immediately determine if it is better than what is currently available. There is no known way to tell if a radical new idea will eventually be successful. Here is where great leadership and courage is required. History tells us of many people who persevered for long period
24、s in the face of repeated rejection before their idea was accepted, often to the point that after success, people could not imagine how they got along without it before. History also tells us of many people who persevered yet never were able to succeed. It is proper to be skeptical of radical new id
25、eas. In the early years of an idea, it might not be accepted because the technology isnt ready, or because there is a lot more optimization still to be done, or because the audience isnt ready. Or because it is a bad idea. It is difficult to determine which of those reasons dominates. The task only
26、becomes easy in hindsight, long after it becomes established. These long periods between formation and initial implementation of a novel idea and its eventual determination of success or failure in the marketplace is what defeats those who wish to use evidence as a decision criterion for following a
27、 new direction. Even if a superior way of doing something has been found, the automated test process will probably reject it, not because the idea is inferior, but because it cannot wait decades for the answer. Those who look only at test results will miss the large payoff. Of course there are sound
28、 business reasons why ignoring potentially superior approaches might be a wise decision. After all, if the audience is not ready for the new approach, it would initially fail in the marketplace. That is true, in the short run. But to prosper in the future, the best approach would be to develop and c
29、ommercialize the new idea to get marketplace experience, to begin the optimization process, and to develop the customer base. At the same time one is preparing the company for the day when the method takes off. Sure, keep doing the old, but get ready for the new. If the company fails to recognize th
30、e newly emerging method, its competitors will take over. Quite often these competitors will be a startup that existing companies ignored because what they were doing was not well accepted, and in any event did not appear to challenge the existing business: see “The innovators dilemma.“ Gestural, mul
31、ti-touch interfaces for screen-driven devices and computer games are good examples. Are these a brilliant new innovation? Brilliant? Yes. New? Absolutely not. Multi-touch devices were in research labs for almost three decades before the first successful mass-produced products. I saw gestures demonst
32、rated over two decades ago. New ideas take considerable time to reach success in the marketplace. If an idea is commercialized too soon, the result is usually failure (and a large loss of money). This is precisely what the Apple designer of my opening paragraph had done. What I was shown was a porta
33、ble computer designed for schoolchildren with a form factor unlike anything I had ever seen before. It was wonderful, and even to my normally critical eye, it looked like a perfect fit for the purpose and audience. Alas, the product got caught in a political fight between warring Apple divisions. Al
34、though it was eventually released into the marketplace, the fight crippled its integrity and it was badly executed, badly supported, and badly marketed. The resistance of a company to new innovations is well founded. It is expensive to develop a new product line with unknown profitability. Moreover,
35、 existing product divisions will be concerned that the new product will disrupt existing sales (this is called “cannibalization“). These fears are often correct. This is a classic case of what is good for the company being bad for an existing division, which means bad for the promotion and reward op
36、portunities for the existing division. Is it a wonder companies resist? The data clearly show that although a few new innovations are dramatically successful, most fail, often at great expense. It is no wonder that companies are hesitant - resistant - to innovation no matter what their press release
37、s and annual reports claim. To be conservative is to be sensible. The Future Automated data-driven processes will slowly make more and more inroads into the space now occupied by human designers. New approaches to computer-generated creativity such as genetic algorithms, knowledge-intensive systems,
38、 and others will start taking over the creative aspect of design. This is happening in many other fields, whether it be medical diagnosis or engineering design. We will get more design without designers, but primarily of the enhancement, refinement, and optimization of existing concepts. Even where
39、new creative artificial systems are developed, whether by neural networks, genetic algorithms, or some yet undiscovered method, any new concept will still face the hurdle of overcoming the slow adoption rate of people and of overcoming the complex psychological, social, and political needs of people
40、. To do this, we need creative designers, creative business people, and risk takers willing to push the boundaries. New ideas will be resisted. Great innovations will come at the cost of multiple great failures. Design without designers? Those who dislike the ambiguity and uncertainty of human judgm
41、ents, with its uncertain track record and contradictory statements will try to abolish the human element in favor of the certainty that numbers and data appear to offer. But those who want the big gains that creative judgment can produce will follow their own judgment. The first case will bring abou
42、t the small, continual improvements that have contributed greatly to the increased productivity and lowering of costs of our technologies. The second case will be rewarded with great failures and occasional great success. But those great successes will transform the world. 译文 不需要设计师的设计 唐诺曼 我永远也不会忘记我
43、第一次向人们介绍优秀产品设计的魅力的经历，那时 候我刚刚到苹果公司，还在逐渐的学习工作上的事务。有一个苹果工业设计小 组的成员来我这里，向我展示了一个即将推出的产品的泡沫模型，“喔！”我 说，“这是什么？我也想要个！” 那次经历让我体验到了设计的原始力量：当我还不知道他具体是什么之前 我就已经兴奋不已，充满热情了。这种发自肺腑的回应离不开很有创意的设计 师。这种想法很主观，也很有个人感情色彩。哦，不过工程师们可不愿意听到 这些。如果你不能提供和它有关的数据，它就没什么了不起。这样的结果是有 一种不再需要设计师的趋势。当我们可以简单的测试我们的成功之路时，谁还 需要设计师呢？令人充满激情兴奋无比
44、的设计被看得无足轻重。更严重的是设 计的初衷也岌岌可危了。 不相信吧？看看谷歌。最近谷歌的一位高级设计师有一次在公开场合宣称， 他们对设计不感兴趣也不懂设计。据说，谷歌依靠最原始的测试结果而不是人 类技巧和判断。怎么知道一个设计是否成功呢？测试一下就可以了。谷歌会迅 速地把样品发送给对照试验中数以万计的用户，与其他的设计做个对比，然后 选出优胜者。他们可以靠点击量，销售量以及其他任何他们想要采用的客观依 据。什么颜色的制服最好？测试一下；哪种项目布置最合理？测试一下；哪种 网页排版最好呢？测试一下。 这可不是谷歌的专利，亚马逊早就也这么做了。几年前我很荣幸的被告知 它们不再为哪个设计最好而争论
45、不休了，他们会测试一下然后用数据来决定。 当然，这个也是以人为本的迭代设计法采用的途径：原型，试验和修改。 这是设计的未来吗？有很多人会真么认为。这是一个人们谈论和研究交流 的热门话题，毕竟，支持者也有理有据：谁不想靠数据来做决定？ 两种类型的创新：不断改善和全新的概念 在设计和几乎所有改革中，其实都至少有两种不同的类型。第一种是持续改进 现有产品，在产品制造业中企业认为通过不断地改善和优化单位成本也会持续 的降低。不断改善的带来稳定的利益链条又强化了操作，资源部门和产业链管 理。产品的设计并没有停止，改变一下外表，增加一些新的功能，不时的做些 小的改动。新的产品都是对现有平台很小的改动，每年
46、都宣称有了与众不同的 特征。有时候一些功能被去掉以用来支持一条新的，低成本的生产线，有时候 很多功能又被组合或被添加上。产品不断地改善，但基础的平台一直没有改变。 持续的设计和改进可没有开发新概念或新理念那样的引人瞩目，但是它们很常 见也很重要。很多这样的创新都是小规模的，但大多数都很成功。这就是企业 们所说的“摇钱树”：一条只需要很小改进的生产线，但是却可以年复一年的 有利可图。 第二种类型的设计就是在设计，工程和 MBA 课程中经常谈论到的“有突破性 的创新设计”。这里提出了全新的概念，新颖的产品定义和新型的商业模式， 而且这些正是设计的乐趣所在。因此，这也是大多数的设计师和发明家乐意为
47、之的地方。但是风险也很大：绝大多数的新发明都以失败告终。那些成功的设 计发明往往需要数十年才得到了人们的认可，这样的后果就是发明者不一定就 是以它们获利的人。 在我刚才提到的苹果公司的例子中，设计者正在开发一种新概念产品。在 谷歌和亚马逊的例子中，这些公司在不断地实践着不断的优化。它们是两种不 同的行为，看看苹果的产品，像大多数的新发明设计一样失败了。为什么呢？ 我一会儿再回到这个案例中。 这两种设计都是很有必要的。对数据主导型设计的激烈争论误导了人们， 我们用前者的力量否定了后者的重要性。通过测试数据主导型设计对改进现有 的产品很有效果。但是新产品最初的观念有从何而来？一些人创造性的想法。
48、测试可以高效的优化一个想法，但是创造性的设计者和发明家却需要有自己的 想法。 为什么说测试既很有必要又不太完美 数据主导型的设计就是“爬山策略”，我们熟知的一种追求最优化的算法。 假设你在黑夜里站在一个连绵起伏的山坡上，你什么也看不到，你怎么知道你 就站在山坡的最高处？检验一下你周围的环境，判断哪个方向最陡峭，然后向 这个方向迈进。这样不断的重复而知道每个方向就找到了最低的地方。 但是如果山坡上有很多的山峰又该怎么做呢？你怎么知道你是否已经在最 高的地方了？答案是你会不知道。这就是所谓的“局部最大值”问题：你不能 区分你是在最高处呢还是只在一个小山坡的最高点。 当计算机在数学空间里攀登时，它可
49、以通过无数次的尝试来探索不同的空 间以避免局部最大化的难题。虽然这不能保证可以找到真正的最高点，但至少 可以避免掉入低层次的行列中。对设计师来说这种战略几乎毫无用处。解决一 个单一的起点就够困难了，更不用说错综复杂的问题了。通过测试了改良设计 通常能够达到局部的最大利益。还有更好的解决办法吗（就是说，有没有受益 大于测试结果的情况）？测试不能告诉我们。 这时候就得靠有创意的人了，他对问题的重新组合，于是就决定去看似错 误的地方探索一下，新的突破就是这样产生的。这正是设计发明创造性的一面， 不断地改良和完善不能让我们拥有这样的效果。 伟大发明的障碍 激动人心的新发明往往有一些基本的特点让它们不适应由测试所做出的判 断。人们往往也不太喜欢猎奇，行动也很保守。新的科技发明和方法往往经过 数十年或者更长才逐渐被人们认可接受。但是测试的法子都是假设某个东西很 有前途值得一试，并来判断它是否比正在使用的更好。我们没有现成的方法判 断一个十分新奇的想法会获得成功，这就需要出色的领导和鼓励。历史告诉我 们很多在他们的想法被认可以前面临长期不断的抨击的人们获得成功以后就是 这样，没有它以前，人们不知道是怎么如何度过的。历史同样也告诉我们还有 很多人坚持不懈最终也没有成功。对疯狂想法的怀疑是可以理解的。在一个想 法的最初阶段它没有被人们接受很可能是因为技术还不太成熟，还
