1、1Application of new materials in the art design（Environmental Management College of China, Qinhuangdao, Hebei, 066004） Abstract. As the carrier and the concrete manifestation of art design, the material plays a more and more important role in art design, and some time is even the motive power of art
2、 design creation of works of art and design. This article attempts to deeply analyze the relationship between art design and materials from the aspects of the connotation of material aesthetics and embodiments, the causes material aesthetics and comprehensive materials of art, to provide some useful
3、 reference for art design and especially the comprehensive materials of art. Key words: Art design; materials; texture; material aesthetic Materials are the material basis for human survival and development. As a kind of high-level creative activities of human being, art design nature cannot do with
4、out material support. Art design is more the embodiment of the thinking activity of art, and the material is more the carrier and the 2ultimate manifestation of thinking activity. With the development of modern art, materials even change from passive to active, and actively participate in the creati
5、on of art design. Effect of material in art design is mainly reflected in two aspects. One is the functional aspects, including physical and chemical properties of materials, and the basic features of materials; the other is the aesthetics of materials, which is mainly the material beauty. In genera
6、l, the requirements for the function and aesthetic feeling of materials in art design are not the same. Some first consider functions, such as architectural design, environmental art design, industrial design, the pursuit of new materials and new technology. Only when the functional problems are sol
7、ved can the aesthetic feeling of materials makes sense. There are not many requirements for some types of the art design with a strong aesthetic feeling to functional materials, and even are not essential. In decorative art and design, comprehensive materials of art, few material functions will not
8、satisfy the need to create and the beauty of materials is crucial. Moreover, after the functional problems are solved, the beauty is the eternal theme of people not to pursue. And it is not difficult 3to understand the reasons why material aesthetics, i.e. the emotion factors are paid much attention
9、 to in art design. 1. Form aesthetic feeling materials produce 1-1. Beauty of nature Natural beauty is one of the forms of beauty the art design gives to the materials. Usually it goes from the natural environment and the state to obtain materials. First of all, take photos of the material surface t
10、exture by cameras and other equipment, acquiring texture effect which is one of the most natural forms. Secondly, describe in-depth the real texture and obtain a texture effect through the method of drawing and sketching, and other hand-painted methods. The characteristics of these methods are the m
11、ost vivid and have a creative power. Thirdly, make full use of the computer technology, which can process the natural texture, but can also create a texture effect. Fourthly, we can use the means of artistic expression, through the transference of material surface texture or color mixing, spraying,
12、rubbing, gravity flow, infiltration, on printing, embossing, collage technique to indirectly create texture effect. The natural beauty of materials and texture is the revealing of the state of nature, which belongs to the accidental form. Because there are a lot 4of natural form which is formed by c
13、hance, and is the nature of the creation, not created deliberately. Even the indirect accidental form performance reflects the peoples creativity, it is the result of selection after the application of repeated practice, and the result that will transform the accidental into inevitable. Therefore, t
14、he natural beauty of the material must be based on the true feelings, such as the walls of years of weathering and abrasion, the iron whose surface is oxidized, the road stampeded by passers-by months and years. 1-2. Beauty of form The beauty of form is to experience the beauty of materials mainly f
15、rom the perspective of the pattern. Through the materials better show and create the form, which can really meet the requirements of form beauty. In art design, combine the shape with the material, and the texture, to make it better serve for the performance of the pattern. Thus better extend the me
16、aning the image conveys. The frontier of design is of typical significance in the form, pursue the combination of practicability, decorative and symbolic, otherwise it is difficult to reflect the characteristics of the times. For example, the exaggeration of contemporary architectural design and the
17、 changes in the structure and dynamics are consistent 5with the rapid development of material technology. Whether it is tall and straight and resolute style, exquisite performance of the material and technology, they can become the time model. In fashion design, textile design, furniture design, ind
18、ustrial design, advertising design, interior design and other fields of art design, materials innovation and appropriate performance can often break through traditional modeling limitations, so as to create a new style. In fact, many human and nature creations take visual elements as the carrier, an
19、d rely on the cultural elements. For example, the visual elements of the original cave, cave paintings, pictures of Dunhuang, ancient animal bones on the text, the taotie design culture, it is because of the traces of time that they are endowed with the material and texture beauty, and therefore the
20、 image gets the value of spirit, embodies the typical nature and characteristics of the image of things, so that the form of beauty gets the highest performance. 1-3. Beauty of levels Beauty of levels material and texture reflect on the creative process of formation in nature or art design performan
21、ce should be the focus of attention. The level materials reflect is the application of a technical nature. Level of expressive representation is a complete 6process and a tactile experience. Beauty of levels richens human visual perception, give people enlightenment in stereo, overlapping and mutual
22、 penetration of feelings. Level of aesthetic nature texture mainly reflects the accumulation of time and the precipitation of history. The artificial texture of the beauty of levels mainly reflects the methods of artistic expression and the comprehensive application of materials, through repeated pr
23、actice and exploration, continue to stack and refine the materials, and eventually form a chance effect. The use of this method is the results of peoples experience. Therefore, the beauty of the levels of the texture not only reflects the deep cultural sense and a sense of history, but also inspires
24、 people to create and expands the ways of expression and the development space of visual art. As in the interior design, the design of the floor and walls usually deepen peoples aesthetic pursuit by means of texture levels. It can not only reflect a kind of aesthetic taste, but can also enrich the v
25、isual association formed in the tactile experience. 1-4. Abstract beauty The texture is often beyond the limitation of the texture and the spirit will run throughout the entire picture and the 7audiences heart. In this sense, it is abstract. In fact, the representation of the texture should coexist
26、of concrete and abstract. The abstract beauty it embodies is spoken of the figurative beauty. To study the abstract beauty is because the art design using the material and texture is not to show the texture of the sense of reality as the only goal, but to summarize the forms to create more value tha
27、n the beauty of artistic connotation as well as the idea as a target. In the contemporary art design, the texture effect has a unique charm, and the sense of form is its performance advantage. Therefore, the abstract beauty produced by the material and texture also has a certain aesthetic value. The
28、 Ming Dynasty furniture is the model of Chinese classical furniture in the furniture design. In much contemporary furniture design, this simple abstract art style continues. The morphological characteristics and the design and application of material properties are perfectly united, so that the rich
29、 modern technology and the simple modeling method realize the ingenious combination. Not only is modeling simple and elegant, but also the innovation of material design advances the furniture quality to the maximum. 2. Embodiment of material aestheticsthe comprehensive Art of materials 8Modern art i
30、s the product of western industrial civilization, and the industrial civilization is the product of western rationalism. Admittedly, the industrial civilization originated from western countries and replacing agricultural civilization has epoch-making significance for our whole human history. The ra
31、pid development of economy brought by this civilization make the traditional art has undergone great changes in its social responsibility functions. For a growing number of artists and audience, the traditional painting and sculpture in the multi-dimensional diversity today has been unable to rally
32、record, plot, beautification, propagation and to express ideas in a function. The high development of modern science and technology creates the detailed division of labor, and has a significant effect on the separation of traditional art function. The development of science and technology is the dir
33、ect cause of modern art. Photography and television have replaced the traditional art record and plot function; the description and research on the beautiful rule nourishes the design principles, to cater to the mass consumption standard. Communication function is also transferred to the advertising
34、, public media system; traditional art in the separation from the most realistic imitation of the color and the shape, strokes 9and structure and various material independent performance powers emerge, and the latent expression began to recover. From then on, the modern art is no longer a symbol of
35、meanings, but an expression of ideas. Synthetic material emerges in adaptation to the development of modern art, and adapts to the needs of the feeling of the era and the modern art of living. The different visual perception that comprehensive materials of art brought about has become the exploratio
36、n and research for many artists. Its strength lies first in its change of our traditional aesthetic habit of art works, and then impact the idea of art we are accustomed to from the bottom to the top, which not only won the admiration and love of artists, but also met a variety of aesthetic needs, a
37、nd brought a variety of options and art forms for people. In the industrial society, although the modern industrial production pays attention to the material properties, touch and so on, it is impossible to excavate all the richness of materials for practical purposes. However, art practice can conv
38、ey a certain life meaning through the physical form of materials. The application of ready-made materials and collages is the rapid development of modern industry, which has led to the nature recovery of people being close to and yearning the natural. 10Many creative uses of synthetic materials expa
39、nd the performance of the work force, imagination and appeal, fully exploring the possibility of various materials. In art of materials, both the traditional print works and the three-dimensional device works with the avant-garde ideas take the material as one of the basic elements, to express the c
40、oncept and thought using different techniques. With the change and influence of modern art on the traditional art concept, the study of modern synthetic materials has in recent years become the major course of study art institutions set up. The artists do not simply make up a variety of materials, b
41、ut use some properties of materials to change the external characteristics and give new forms and contents, to produce a new visual effect and give people the enjoyment of beauty. Material works have many constructivism logic components in a certain extent, but more highlight prominent material fact
42、ors. What goes beyond the general composition is that it has a strong sense of materials. One of the main teaching purposes in addition is the cultivation of creative thinking. The combination of personal thinking in the face of the social change and culture shock with the comprehensive materials desalinates the differences of all kinds of paintings, highlights personal understanding, and
