1、1The Shape and Color of Fine Arts in the Modern Art DesignAbstract. China Academy of Fine Arts is the history of traditional Chinese culture with the boundless precipitation and accumulation. It is the condensation of the crystallization of the wisdom and the art of the five thousand years of Chines
2、e working people, carrying the most simple thoughts and feelings of the Chinese people, which are the foundation and the source of the design. After thousands of years of history of temper, shape and color of the China Academy of Fine Arts has accumulated a wealth of achievements and experience. In
3、this paper, based on the study of the shape and color of the Fine Arts, it explores the shape and color of Fine Arts in modern art design, hoping to provide a little help of modern art design. Key words: Art Modeling; Colors; Art and Design Introduction With the development of high-tech, modern art
4、design is also the basis of the traditional techniques for transformation and innovation, not only through the introduction of high-tech, 2efficient, fast, scientific methods and techniques, refined and significantly expand the scope of Art and Design, content and form in large numbers into the era
5、of strong, high technology content elements. At the same time, it maintains absorb and learn from national customs, traditional art. The introduction of the shape and color of a variety of traditional Chinese art, modern art design, such as pottery, dyeing and weaving, furniture, ancient architectur
6、e, calligraphy, painting, etc., greatly enriched the contents of the modern art design, to better adapt to the market economy and modern the need of the development of civilization. The traditional elements of innovation and transformation and then integrate into the art of modern art and design inn
7、ovation, to create a modern art design with Chinese characteristics, so that the spirit of the nations culture and language of the contemporary world integration into the mainstream of modern design and art. This is a kind of fusion of the traditional and contemporary art forms, methods and techniqu
8、es are worth our summary. Modern Art Design and Culture British anthropologist Edward Taylor culture as “a line with the overall culture, which includes knowledge, belief, art, morals, laws, customs, and as members of society in any other 3capacity and customs.“ physicist, founder of M ? Planck quan
9、tum theory from a scientific and rational point of view, it is described as “a physics to chemistry, the chain of social science to biology and anthropology Art and Design First human creation activities in order to beautify the living art form with practical function and aesthetic features of the i
10、tems. These artifacts in addition to reflecting the shape of the United States, but also carry the culture of the relevant factors, and reflects the lifestyle of people in different times, aesthetic ideas and values, as well as social development status, level of technology, the mode of production.
11、Cultural continuity and heritage, cultural backgrounds interested in art and design have a deep impact. Modern society is based on the industry-dominated era; life requires a high degree of unity of the material and the spiritual. Modern art and design must be an organic and harmonious combination o
12、f perfect functionality and comfort appearance, and this combination, the need to rely on good design thinking, good design thinking and cultural heritage as the basis, with the high-quality works of art is a spiritual meaning and substance of the work of the cultural connotation of the organic comb
13、ination. Culture is gradually formed in the process of 4social development, therefore, from a fundamental sense; culture is a social and cultural. The art design is also a manifestation of the social and cultural. The primary task of the cultural studies of art and design to clarify it creates a cer
14、tain lifestyle, and this lifestyle outside significance and value. Traditional culture is not everlasting, conservative fixed, but the traditional culture in the modern society, the unity of opposites, as well as its own unity of opposites innovation, change and enrich their own connotations. In con
15、stant pursuit of culture and design innovation, the relationship between the traditional culture and the design has gradually become a topic of concern, how art and design with traditional cultural integration has become an important issue facing contemporary art and design. Globalization has become
16、 an irreversible trend, how to grasp Chinas traditional culture will not be lost, and the foreign culture of inclusiveness, transformed into the global market as the goal, to create a deeper cultural connotation design, we need to seriously consider and the in-depth study. Art Modeling Applications
17、in the Design of Modern Art Between art design and folk art modeling many common, they 5all have the pursuit of simple, summarized form of simple shapes, emphasized the fit between the shape and content have colorful, rich contrast feature. The folk art model has important implications for modern ar
18、t design, some classic art creations, and the method can be used in the designs of modern art. Applications of both yin and yang. The ancient Chinese traditional culture emphasizes the blending of yin and yang, yin and yang with mercy, the only way to achieve peace of yin and yang of the United Stat
19、es, which reflects the Chinese people on the shape of the pursuit of a harmonious beauty. Chinese paper-cut, painting them, has to use the shape of yin and yang with mercy and Yang were paper-cutting scissors law, overcast shear, yin and yang mixed shear method and so on, painting landscapes, splash
20、-ink painting. Modern art design, which can speak to the yin and yang relative economic modeling applied to packaging, three-dimensional sculpture, works more in line with the traditional Chinese peoples aesthetic. A Yang shear method with the clever use of folk paper-cut creative design, coordinati
21、on of screen space to streamline morphology, refining more perfect form! Full use of the real shape, can enhance the design means that. White and black are a group of 6two contradictory aspects, no white is both non-black, blank virtual black at the remarkable fact, white at significant was black, i
22、n general, such as the flag of the Peoples Bank of China, the idea of both the image and is very clever. Application of the harmonious excessive method. Folk artists in the creation of folk art, the art form both entities abstract expression, but also content on abstract entities depict, but very na
23、tural and harmonious transition between the abstract and the entity, it is the lines that will emphasize the visual do not have the impact of modern art design. A modern art design which can learn from it, take advantage of the natural transition between the abstract entities, cleverly designed deep
24、 flavor and rich content works; this will enable the long-term vitality of the works. Such as the nature of the water, clouds, fireworks are not a specific physical form of modern art and design which the designer can according to the designers needs, between the entities and rushed changed the natu
25、ral form of uncertainty to the entity in the form of abstract form manifested, and sketched out the beauty of the lines, the beauty of the visual works from more decorative sense. In the design of the 2008 Olympic Torch clouds already reflected clouds shape like a fluttering cloud, but also very 7dy
26、namic in the clouds with a torch between the abstract to the transition of the entity is very clever nature, designed to obtain was a great success. Art Color in Modern Art Design Color the first perception factors people appreciate works of art design and use of color is reasonably determined the f
27、irst feeling of the reader. Due to the different human living environment and heredity factors, in the long-term formation of relatively stable natural and cultural environment, and the gradual formation of a different form of ethnic color and color concept of woodblock New Year pictures, paper cutt
28、ing, shadow puppets, puppets, kites, color printing flower cloth, embroidery, masks, folk art, showing a colorful ode color system and a rich cultural heritage. The folk art is the use of color, proficiency, creative, and cannot reach all the modern art design, modern art design should fully draw on
29、 the experience of folk art in color above. Meaning of color vision applications. Understanding of traditional folk art color is not limited to color, and more into a special feeling inside. Folk color creation, they have given color to life, with different colors representing different meaning, and
30、 this meaning of penetration in the 8creation of artworks to express survival benefits or reduce, avoid hurting other purposes. Flexible application of color change. Civil society, the creative arts is almost free from any residence, Chinese Folk Art and court painting, literati painting, and compar
31、ed to modern painting, a free creation of the gas, less a sub-culture of the shackles of bitter. The labor of working people for thousands of years, through the creation by the occasional burst of inspiration, the creative process, they can use any color, given the color of their psychological, desi
32、re, faith and moral values. Method on the color changes in order to truly be applied to the design of Modern Art, which requires social; creators should be linked to the creation and life, more unrestrained color performance, constantly bold attempt to explore the new color artistic effect. Example:
33、 The Introduction of Peking Opera Mask Shape in Art and Design Beijing Opera masks shape can become an element of the modern art design, has a huge aesthetic vitality of Chinese opera mask art worth learning. The Beijing Opera mask has a unique traditional artistic charm. Called Facebook, refers to
34、the “unique Chinese opera, a cosmetic plastic art in stage performances. Opera mask with the opera gave birth to maturity, 9gradually formed in the long years, and the method of spectral- relatively fixed. “Beijing Opera facial makeup the independent aesthetic sense and appreciation of the value is
35、an integral part of the art of Peking opera. So how can these operatic elements into modern art design? The first is to learn from its shape stylized. Beijing Opera masks will be seen in full regalia green and red, vertical and horizontal in the face of such bold, exaggerated, while very particular
36、about the tricks of the modeling in accordance with the law, order and method, organized into a decorative pattern styling, aesthetic intent. These unique tricks of the program can be borrowed to the shape of the art design. Beijing opera mask shape of the program is a series of disciplined, with a
37、point, line; shape and color of the hook knead the trowel method. It can create various types of business, where the spectrum of the types of characters, this spectral type spectral type internal system, such as the placement of the various parts of the human facial features, and also includes a set
38、 of rules the relationship between the role with spectral type, such as “spectrum“ “multi-spectral“ multiplayer compose “change over play spectrum “multispectral same stage“, all of which are fully demonstrated the Chinese 10Beijing opera mask in the form of stylized features. To learn the art desig
39、n, is to pay attention to the design of the program, from shallow to deep, tortuous development spiral, step by step, in order to obtain the things the performance gradually profound and comprehensively. The introduction of the Beijing Opera masks decoration. Beijing Opera masks the decorative chara
40、cteristic obedience and coordinate the overall style and aesthetic essence of the Peking Opera. The Peking opera mask has been able to vivid performance of the main image, mainly by point, line, color, three-dimensional combination of decorations. Opera image harmony rigorous, balanced and symmetric
41、al, vivid, including the have a Facebook decorative role. Facebook to the authenticity of the character shape contains the beauty beneath the surface; US-Yun really can produce magical romantic and seductive art charm. Face Xiang Yu opera “Farewell My Concubine“ both with a crying phase, but also fu
42、ll of decorative beauty, fabulous reproduction vulgarity Weili and temperament of the King of Chu, also reveals the designer who Hopeless Heroes infinite lamented. Introducing Beijing opera mask decoration, modern art design questions should only means of decoration, to make up for the lack of original photography
